Domestic Total: 58.29M
Opening Weekend: 30.78M
Legs: 1.89
Overview: In 1993, estranged Street Fighters Ryu and Ken Masters are thrown back into combat when the mysterious Chun-Li recruits them for the next World Warrior Tournament: a brutal clash of fists, fate, and fury. But behind this battle royale lies a deadly conspiracy that forces them to face off against each other and the demons of their past. And if they don't, it's GAME OVER!
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 16, 2026 | $12,954,565 | + 0.00% | 3575 |
| Sat, Oct 17, 2026 | $10,814,062 | -16.52% | 3575 |
| Sun, Oct 18, 2026 | $7,006,750 | -35.21% | 3575 |
| Mon, Oct 19, 2026 | $1,891,453 | -73.01% | 3575 |
| Tue, Oct 20, 2026 | $2,864,411 | + 51.44% | 3575 |
| Wed, Oct 21, 2026 | $1,646,591 | -42.52% | 3575 |
| Thu, Oct 22, 2026 | $1,160,802 | -29.50% | 3575 |
| Fri, Oct 23, 2026 | $2,332,863 | + 100.97% | 3575 |
| Sat, Oct 24, 2026 | $3,796,066 | + 62.72% | 3575 |
| Sun, Oct 25, 2026 | $2,458,258 | -35.24% | 3575 |
| Mon, Oct 26, 2026 | $658,176 | -73.23% | 3575 |
| Tue, Oct 27, 2026 | $1,016,505 | + 54.44% | 3575 |
| Wed, Oct 28, 2026 | $640,109 | -37.03% | 3575 |
| Thu, Oct 29, 2026 | $571,510 | -10.72% | 3575 |
| Fri, Oct 30, 2026 | $1,048,294 | + 83.43% | 2825 |
| Sat, Oct 31, 2026 | $1,231,275 | + 17.46% | 2825 |
| Sun, Nov 1, 2026 | $1,380,049 | + 12.08% | 2825 |
| Mon, Nov 2, 2026 | $429,640 | -68.87% | 2825 |
| Tue, Nov 3, 2026 | $693,886 | + 61.50% | 2825 |
| Wed, Nov 4, 2026 | $383,862 | -44.68% | 2825 |
| Thu, Nov 5, 2026 | $285,260 | -25.69% | 2825 |
| Fri, Nov 6, 2026 | $560,511 | + 96.49% | 1760 |
| Sat, Nov 7, 2026 | $966,911 | + 72.51% | 1760 |
| Sun, Nov 8, 2026 | $594,397 | -38.53% | 1760 |
| Mon, Nov 9, 2026 | $163,075 | -72.56% | 1760 |
| Tue, Nov 10, 2026 | $277,246 | + 70.01% | 1760 |
| Wed, Nov 11, 2026 | $355,810 | + 28.34% | 1760 |
| Thu, Nov 12, 2026 | $110,467 | -68.95% | 1760 |
| Name | Character |
|---|---|
| Andrew Koji | Ryu |
| Noah Centineo | Ken Masters |
| Callina Liang | Chun-Li |
| David Dastmalchian | M. Bison |
| Andrew Schulz | Dan Hibiki |
| Joe Anoa'i | Akuma |
| Cody Rhodes | Guile |
| Jason Momoa | Blanka |
| Eric André | Don Sauvage |
| 50 Cent | Balrog |
| Ma Dong-seok | Gouken |
| Melanie Jarnson | Cammy |
| Orville Peck | Vega |
| Hirooki Goto | E. Honda |
| Vidyut Jammwal | Dhalsim |
| Olivier Richters | Zangief |
| Kyle Mooney | Marvin |
| Rayna Vallandingham | Juli |
| Alexander Volkanovski | Joe |
| Antonio Alvarez | Striker |
| Bill O'Neill | Scientist |
| Tamara Lee Bailey | Bison Doll |
| Orla Saphron | Bison Doll |
| Sophie Foxman | Bison Doll |
| Kristy Best | JJ the Reporter |
| Yaz Haddad | Dimitri the DJ |
| Heloise D'Annunzio | Dancer |
| Emily McKendry | Kissing Patron |
| Tim Robards | Sentry |
| Samantha Allsop | Tawny the Dancer |
| M.J. Kokolis | Local Punk |
| Joshua Lewis | Octagon Crowd |
| Christian Valle | El Fuerte |
| Lachlan Power | Bison Inmate |
| Lannan Eacott | Bison Inmate |
| Danny Philippou | Self |
| Michael Philippou | Self |
| Maximilian Miles Christiansen | Bison's inmate |
| Justin Wong | Bison's inmate |
| Michael Mendoza | Bison’s Inmate |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Rampage | Apr 11, 2018 | $120M |
| Borderlands | Aug 7, 2024 | $115M |
| Robin Hood | Nov 3, 2018 | $100M |
| Pacific Rim: Uprising | Mar 21, 2018 | $150M |
| Spider-Man: Far From Home | Jun 28, 2019 | $160M |
| Tomb Raider | Mar 5, 2018 | $94M |
| Warcraft | May 25, 2016 | $160M |
| Monster Hunter | Dec 3, 2020 | $60M |
Week 1: $38.34M
Week 2: $11.47M
Investor Share: $6.31M
Week 3+: $8.48M
Investor Share: $4.24M
$41.7M (41.70%)
Investor Share: $14.6M
Budget: $82M
P&A: $82M
Gross: $99.99M
Net: $48.15M
Costs: $164M
Profit: $-115.85M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.