Movie Information
Domestic Total: 308.98K
Opening Weekend: 139.99K
Legs: 2.21
Overview: A depiction of the last living generation of German participants in Adolf Hitler’s Third Reich.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, May 21, 2021 | $46,410 | + 0.00% | 308 |
| Sat, May 22, 2021 | $53,230 | + 14.70% | 308 |
| Sun, May 23, 2021 | $40,345 | -24.21% | 308 |
| Mon, May 24, 2021 | $14,535 | -63.97% | 308 |
| Tue, May 25, 2021 | $17,450 | + 20.06% | 308 |
| Wed, May 26, 2021 | $14,010 | -19.71% | 308 |
| Thu, May 27, 2021 | $9,950 | -28.98% | 308 |
| Fri, May 28, 2021 | $15,505 | + 55.83% | 308 |
| Sat, May 29, 2021 | $27,120 | + 74.91% | 308 |
| Sun, May 30, 2021 | $25,360 | -6.49% | 308 |
| Mon, May 31, 2021 | $20,080 | -20.82% | 308 |
| Tue, Jun 1, 2021 | $7,511 | -62.59% | 308 |
| Wed, Jun 2, 2021 | $8,720 | + 16.10% | 308 |
| Thu, Jun 3, 2021 | $8,750 | + 0.34% | 308 |
Cast
| Name | Character |
|---|
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Citizen K | Dec 13, 2019 | $0 |
| He Named Me Malala | Sep 12, 2015 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Pavarotti | Jun 4, 2019 | $0 |
| Meeting Gorbachev | May 3, 2019 | $0 |
| Pope Francis: A Man of His Word | May 18, 2018 | $0 |
| No Greater Love | Nov 10, 2017 | $0 |
| Won't You Be My Neighbor? | Jun 29, 2018 | $0 |
Profitability Breakdown
Domestic
Week 1: $195.93K
Week 2: $113.05K
Investor Share: $62.18K
Week 3+: $0.00
Investor Share: $0.00
International
$44.11K (12.49%)
Investor Share: $15.44K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $353.08K
Net: $195.17K
Costs: $0.00
Profit
Profit: $195.17K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
