Domestic Total: 37.27K
Opening Weekend: 23.91K
Legs: 1.56
Overview: An ICE Agent struggling with the moral dilemmas of border security and an undocumented woman fighting to escape a ruthless cartel cross paths and work together to save the life of an innocent girl.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Apr 12, 2024 | $7,652 | + 0.00% | 110 |
| Sat, Apr 13, 2024 | $8,188 | + 7.00% | 110 |
| Sun, Apr 14, 2024 | $8,072 | -1.42% | 110 |
| Mon, Apr 15, 2024 | $3,001 | -62.82% | 110 |
| Tue, Apr 16, 2024 | $4,092 | + 36.35% | 110 |
| Wed, Apr 17, 2024 | $3,635 | -11.17% | 110 |
| Thu, Apr 18, 2024 | $1,878 | -48.34% | 110 |
| Fri, Apr 19, 2024 | $167 | -91.11% | 5 |
| Sat, Apr 20, 2024 | $117 | -29.94% | 5 |
| Sun, Apr 21, 2024 | $180 | + 53.85% | 5 |
| Mon, Apr 22, 2024 | $67 | -62.78% | 5 |
| Tue, Apr 23, 2024 | $56 | -16.42% | 5 |
| Wed, Apr 24, 2024 | $37 | -33.93% | 5 |
| Thu, Apr 25, 2024 | $123 | + 232.43% | 5 |
| Name | Character |
|---|---|
| Zoe Saldaña | Esmee / Carmen |
| Garrett Hedlund | Shipp |
| Adria Arjona | Yadira |
| Chris Coy | Dobbins |
| David Bortolucci | ICE Officer Crower |
| Tom Waits | Hunley |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Dogman | Sep 27, 2023 | $23M |
| Monsters and Men | Sep 22, 2018 | $0 |
| Hard Luck Love Song | Oct 15, 2021 | $0 |
| Emily the Criminal | Aug 12, 2022 | $2M |
| Lucy in the Sky | Sep 20, 2019 | $0 |
| A Bigger Splash | Nov 26, 2015 | $0 |
| Pig | Jul 16, 2021 | $3M |
| The Souvenir | May 17, 2019 | $0 |
Week 1: $36.52K
Week 2: $747.00
Investor Share: $410.85
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $37.27K
Net: $22.32K
Costs: $0.00
Profit: $22.32K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.