Movie Information
Domestic Total: 21.5K
Opening Weekend: 0.00
Legs: 1.11
Overview: Twenty-year-old Ryan struggles with a debilitating anxiety disorder following his father's death. Together with his two brothers, he must fight to break the destructive cycle threatening their family as ancient darkness closes in on them.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Sep 23, 2024 | $6,184 | + 0.00% | 240 |
| Tue, Sep 24, 2024 | $6,595 | + 6.65% | 240 |
| Wed, Sep 25, 2024 | $6,650 | + 0.83% | 240 |
| Thu, Sep 26, 2024 | $2,072 | -68.84% | 240 |
Cast
| Name | Character |
|---|---|
| Chris Galust | Ryan Beckman |
| Mariel Molino | Alex Ayala |
| Dylan McTee | Jason Beckman |
| Laura Benanti | Renee Beckman |
| Brendan Sexton III | Dan |
| Michael Boatman | Dr. Huston |
| Sam Duncan | James Beckman |
| Germain Arroyo | Nicolas Silva |
| Manny Dunn | Adam |
| Charlotte Stickles | The Harpy |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Wall | May 12, 2017 | $3M |
| All I See Is You | Aug 10, 2017 | $30M |
| Dreamland | Nov 27, 2019 | $0 |
| Swallow | Jan 15, 2020 | $0 |
| The Violent Heart | Sep 9, 2020 | $0 |
| The Dead Center | Oct 11, 2019 | $0 |
| Super Dark Times | Sep 29, 2017 | $0 |
| Safer at Home | Feb 26, 2021 | $0 |
Profitability Breakdown
Domestic
Week 1: $21.5K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $21.5K
Net: $12.9K
Costs: $0.00
Profit
Profit: $12.9K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
