Movie Information
Domestic Total: 606.00
Opening Weekend: 212.00
Legs: 1.40
Overview: The epic life story of Alice Guy-Blaché (1873–1968), a French screenwriter, director and producer, true pioneer of cinema, the first person who made a narrative fiction film; author of hundreds of movies, but banished from history books. Ignored and forgotten. At last remembered.
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Jan 20, 2020 | $67 | + 0.00% | 1 |
| Tue, Jan 21, 2020 | $18 | -73.13% | 1 |
| Wed, Jan 22, 2020 | $41 | + 127.78% | 1 |
| Thu, Jan 23, 2020 | $40 | -2.44% | 1 |
| Wed, Mar 18, 2020 | $14 | -65.00% | 1 |
| Thu, Mar 19, 2020 | $16 | + 14.29% | 1 |
| Wed, Mar 25, 2020 | $174 | + 987.50% | 1 |
| Thu, Mar 26, 2020 | $24 | -86.21% | 1 |
| Fri, Mar 27, 2020 | $192 | + 700.00% | 1 |
| Sun, Jun 14, 2020 | $20 | -89.58% | 1 |
Cast
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| Hale County This Morning, This Evening | Sep 14, 2018 | $0 |
| Eating Animals | Jun 15, 2018 | $0 |
| The Seasons in Quincy: Four Portraits of John Berger | Jun 23, 2017 | $0 |
| Served Like a Girl | Nov 8, 2017 | $0 |
| Trophy | Jan 20, 2017 | $0 |
| No Greater Love | Nov 10, 2017 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
Profitability Breakdown
Domestic
Week 1: $370.00
Week 2: $236.00
Investor Share: $129.80
Week 3+: $0.00
Investor Share: $0.00
International
$77.58K (99.22%)
Investor Share: $27.15K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $78.18K
Net: $27.5K
Costs: $0.00
Profit
Profit: $27.5K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
