Movie Information
Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: A new porter embarks on an unlikely relationship with the youngest daughter of a prominent English family. Simultaneously, rivalries are spilling over in the Davenport family, led by the Lord and Lady as they also weather the epic failure of the wedding of their eldest daughter to her caddish cousin.
TMDB
IMDB
Metacritic
RT Tomato
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|
Cast
| Name | Character |
|---|---|
| Emma Laird | Poppy Davenport |
| Damian Lewis | Lord Davenport |
| Katherine Waterston | Lady Davenport |
| Thomasin McKenzie | Rose Davenport |
| Lizzie Hopley | Phyllis Davenport |
| Tom Felton | Archibald |
| Tom Goodman-Hill | Inspector Watt |
| Lee Boardman | Karl |
| Ben Radcliffe | Eric Noone |
| Lily Knight | Fifi Valentine |
| Jimmy Carr | Vicar |
| Charlie Rawes | Big Alan |
| Adam Woodward | Bert Chester |
| Nathan Hall | N/A |
| Alex Butler | Lionel Gritt |
| Erin Austen | N/A |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Stuber | Jul 11, 2019 | $16M |
| Bad Santa 2 | Nov 23, 2016 | $26M |
| Mafia Mamma | Apr 13, 2023 | $41M |
| Grimsby | Feb 24, 2016 | $35M |
| Drive-Away Dolls | Feb 22, 2024 | $8M |
| Joy Ride | Jun 22, 2023 | $20M |
| Amsterdam | Sep 27, 2022 | $80M |
| The Beach Bum | Mar 21, 2019 | $5M |
Profitability Breakdown
Domestic
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (NaN%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $0.00
Net: $0.00
Costs: $0.00
Profit
Profit: $0.00
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
