Domestic Total: 15.18M
Opening Weekend: 5.43M
Legs: 2.80
Overview: A retired rodeo legend risks it all to save his grandson. Facing his own painful past and the fears of his family, he enters a high-stakes bullriding competition as the oldest contestant ever. Along the way, he reconciles old wounds with his estranged daughter and proves that true courage is found in the fight for family.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, May 23, 2025 | $2,077,547 | + 0.00% | 2205 |
| Sat, May 24, 2025 | $1,755,068 | -15.52% | 2205 |
| Sun, May 25, 2025 | $1,594,270 | -9.16% | 2205 |
| Mon, May 26, 2025 | $1,509,840 | -5.30% | 2205 |
| Tue, May 27, 2025 | $699,223 | -53.69% | 2205 |
| Wed, May 28, 2025 | $532,374 | -23.86% | 2205 |
| Thu, May 29, 2025 | $438,863 | -17.56% | 2205 |
| Fri, May 30, 2025 | $654,736 | + 49.19% | 1995 |
| Sat, May 31, 2025 | $884,354 | + 35.07% | 1995 |
| Sun, Jun 1, 2025 | $621,032 | -29.78% | 1995 |
| Mon, Jun 2, 2025 | $250,734 | -59.63% | 1995 |
| Tue, Jun 3, 2025 | $403,560 | + 60.95% | 1995 |
| Wed, Jun 4, 2025 | $283,280 | -29.80% | 1995 |
| Thu, Jun 5, 2025 | $229,369 | -19.03% | 1995 |
| Fri, Jun 6, 2025 | $300,993 | + 31.23% | 1235 |
| Sat, Jun 7, 2025 | $429,159 | + 42.58% | 1235 |
| Sun, Jun 8, 2025 | $333,816 | -22.22% | 1235 |
| Mon, Jun 9, 2025 | $146,785 | -56.03% | 1235 |
| Tue, Jun 10, 2025 | $208,631 | + 42.13% | 1235 |
| Wed, Jun 11, 2025 | $152,427 | -26.94% | 1235 |
| Thu, Jun 12, 2025 | $124,456 | -18.35% | 1235 |
| Fri, Jun 13, 2025 | $168,604 | + 35.47% | 617 |
| Sat, Jun 14, 2025 | $238,328 | + 41.35% | 617 |
| Sun, Jun 15, 2025 | $194,324 | -18.46% | 617 |
| Mon, Jun 16, 2025 | $66,063 | -66.00% | 617 |
| Tue, Jun 17, 2025 | $83,935 | + 27.05% | 617 |
| Wed, Jun 18, 2025 | $68,529 | -18.35% | 617 |
| Thu, Jun 19, 2025 | $76,271 | + 11.30% | 617 |
| Fri, Jun 20, 2025 | $81,723 | + 7.15% | 305 |
| Sat, Jun 21, 2025 | $118,851 | + 45.43% | 305 |
| Sun, Jun 22, 2025 | $70,876 | -40.37% | 305 |
| Mon, Jun 23, 2025 | $29,375 | -58.55% | 305 |
| Tue, Jun 24, 2025 | $38,435 | + 30.84% | 305 |
| Wed, Jun 25, 2025 | $32,512 | -15.41% | 305 |
| Thu, Jun 26, 2025 | $29,735 | -8.54% | 305 |
| Fri, Jun 27, 2025 | $36,176 | + 21.66% | 202 |
| Sat, Jun 28, 2025 | $53,313 | + 47.37% | 202 |
| Sun, Jun 29, 2025 | $39,725 | -25.49% | 202 |
| Tue, Jul 1, 2025 | $13,137 | -66.93% | 202 |
| Wed, Jul 2, 2025 | $6,436 | -51.01% | 202 |
| Thu, Jul 3, 2025 | $6,486 | + 0.78% | 202 |
| Fri, Jul 4, 2025 | $12,136 | + 87.11% | 73 |
| Sat, Jul 5, 2025 | $16,315 | + 34.43% | 73 |
| Sun, Jul 6, 2025 | $8,850 | -45.76% | 73 |
| Tue, Jul 8, 2025 | $4,527 | -48.85% | 75 |
| Wed, Jul 9, 2025 | $4,752 | + 4.97% | 75 |
| Thu, Jul 10, 2025 | $4,043 | -14.92% | 75 |
| Fri, Jul 11, 2025 | $6,667 | + 64.90% | 45 |
| Sat, Jul 12, 2025 | $11,505 | + 72.57% | 45 |
| Sun, Jul 13, 2025 | $6,030 | -47.59% | 45 |
| Tue, Jul 15, 2025 | $3,442 | -42.92% | 45 |
| Wed, Jul 16, 2025 | $2,421 | -29.66% | 45 |
| Thu, Jul 17, 2025 | $3,634 | + 50.10% | 45 |
| Fri, Jul 18, 2025 | $4,987 | + 37.23% | 29 |
| Sat, Jul 19, 2025 | $6,663 | + 33.61% | 29 |
| Sun, Jul 20, 2025 | $3,603 | -45.93% | 29 |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| War Room | Aug 28, 2015 | $3M |
| God's Not Dead: A Light in Darkness | Mar 30, 2018 | $6M |
| A Dog's Way Home | Jan 10, 2019 | $18M |
| The Forge | Aug 22, 2024 | $5M |
| Overcomer | Aug 22, 2019 | $5M |
| God's Not Dead 2 | Apr 1, 2016 | $5M |
| Ricki and the Flash | Jul 10, 2015 | $18M |
| The Girl Who Believes in Miracles | Apr 2, 2021 | $0 |
Week 1: $8.61M
Week 2: $3.33M
Investor Share: $1.83M
Week 3+: $3.25M
Investor Share: $1.62M
$N/A (0.00%)
Investor Share: $N/A
Budget: $8M
P&A: $8M
Gross: $15.18M
Net: $8.62M
Costs: $16M
Profit: $-7.38M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.