Domestic Total: 13.65M
Opening Weekend: 5M
Legs: 2.78
Overview: Adam Jones is a Chef who destroyed his career with drugs and diva behavior. He cleans up and returns to London, determined to redeem himself by spearheading a top restaurant that can gain three Michelin stars.
| Name | Character |
|---|---|
| Bradley Cooper | Adam Jones |
| Sienna Miller | Helene |
| Omar Sy | Michel |
| Daniel Brühl | Tony |
| Riccardo Scamarcio | Max |
| Sam Keeley | David |
| Alicia Vikander | Anne Marie |
| Matthew Rhys | Reece |
| Lily James | Sara |
| Uma Thurman | Simone |
| Emma Thompson | Dr. Rosshilde |
| Sarah Greene | Kaitlin |
| Chelsea Li | Bar-Goer |
| Christopher Heskey | Conducteur |
| Henry Goodman | Conti |
| Stephen Campbell Moore | Jack |
| Lexie Benbow-Hart | Lily |
| Bo Bene | Yana |
| Elisa Lasowski | Denitzi |
| Julian Firth | Langham Maitre'd |
| John Macdonald | French Heavy #1 |
| Raphael Acloque | French Heavy #2 |
| Richard Rankin | Reece Waiter |
| Martin Trenaman | Emile |
| Jody Halse | Electrician |
| Erica Emm | Julia - MP Wife |
| Charlotte Hawkins | TV Presenter |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Max | Jun 26, 2015 | $20M |
| We Are Your Friends | Aug 26, 2015 | $6M |
| Vacation | Jul 28, 2015 | $31M |
| Entourage | Jun 3, 2015 | $30M |
| No Escape | Aug 26, 2015 | $5M |
| The Gift | Jul 31, 2015 | $5M |
| Dope | Jun 19, 2015 | $7M |
| Magic Mike XXL | Jul 1, 2015 | $15M |
Week 1: $7.01M
Week 2: $4.55M
Investor Share: $2.5M
Week 3+: $2.34M
Investor Share: $1.17M
$23.11M (62.44%)
Investor Share: $8.09M
Budget: $20M
P&A: $20M
Gross: $36.77M
Net: $15.97M
Costs: $40M
Profit: $-24.03M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.