Movie Information
Domestic Total: 1.8K
Opening Weekend: 1.8K
Legs: 1.00
Overview: Documentary which celebrates, over the period covering the end of the 1950s and the beginning of the 60s, the phenomenon of the Everly Brothers, arguably the greatest harmony duo the world has witnessed, who directly influenced the greatest and most successful bands of the 60s and 70s - The Beatles, The Stones, The Beach Boys and Simon & Garfunkel to name but a few.
TMDB
IMDB
Metacritic
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Feb 27, 2015 | $1,800 | + 0.00% | 17 |
Cast
| Name | Character |
|---|---|
| Phil Everly | Self (archive footage) |
| Don Everly | Self |
| Felice Bryant | Self (archive footage) |
| Art Garfunkel | Self |
| Jake Bugg | Self |
| Graham Nash | Self |
| Dave Edmunds | Self |
| Tim Rice | Self |
| Paul Gambaccini | Self |
| Keith Richards | Self |
| Del Bryant | Self |
| Paul Du Noyer | Self |
| Will Harlan | Self |
| Michael McCall | Self |
| Lucy O'Brien | Self |
| Teddy Thompson | Self |
| Waddy Wachtel | Self |
| Keith Harris | Self |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Other Side of the Door | Feb 25, 2016 | $5M |
| Touched with Fire | Feb 12, 2016 | $0 |
| Mistress America | Aug 14, 2015 | $0 |
| The Challenger | Sep 11, 2015 | $0 |
| Regression | Oct 1, 2015 | $20M |
| Grandma | Jun 4, 2015 | $600K |
| Cop Car | Jul 8, 2015 | $800K |
| Compadres | Mar 31, 2016 | $3M |
Profitability Breakdown
Domestic
Week 1: $1.8K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$380.85K (99.53%)
Investor Share: $133.3K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $382.65K
Net: $134.38K
Costs: $0.00
Profit
Profit: $134.38K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
