Movie Information
Domestic Total: 67.1K
Opening Weekend: 67.1K
Legs: 1.00
Overview: A vivid journey into the mysterious subterranean world of mycelium and its fruit— the mushroom. A story that begins 3.5 billion years ago, fungi makes the soil that supports life, connecting vast systems of roots from plants and trees all over the planet, like an underground Internet. Through the eyes of renowned mycologist Paul Stamets, professor of forest ecology Suzanne Simard, best selling author Michael Pollan, food naturalist Eugenia Bone and others, we experience the power, beauty and complexity of the fungi kingdom.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Nov 15, 2019 | $67,096 | + 0.00% | 17 |
Cast
| Name | Character |
|---|---|
| Brie Larson | Narrator (voice) |
| Paul Stamets | Himself |
| Michael Pollan | Himself |
| Roland Griffiths | Himself |
| Andrew Weil | Himself |
| Mary P. Cosmiano | Herself |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Eating Animals | Jun 15, 2018 | $0 |
| No Greater Love | Nov 10, 2017 | $0 |
| Risk | May 5, 2017 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Served Like a Girl | Nov 8, 2017 | $0 |
| The Seasons in Quincy: Four Portraits of John Berger | Jun 23, 2017 | $0 |
| Trophy | Jan 20, 2017 | $0 |
Profitability Breakdown
Domestic
Week 1: $67.1K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$98.48K (59.48%)
Investor Share: $34.47K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $165.57K
Net: $74.72K
Costs: $0.00
Profit
Profit: $74.72K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
