Movie Information
Domestic Total: 3.83K
Opening Weekend: 2.84K
Legs: 1.35
Overview: Since 1999, Claude Lanzmann has made several films that could be considered satellites of Shoah, comprised of interviews conducted in the 1970s that didn’t make it into the final, monumental work. He has just completed a series of four new films, built around four women from four different areas of Eastern Europe with four different destinies, each finding herself unexpectedly and improbably alive after war’s end.
TMDB
IMDB
Metacritic
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Wed, Nov 14, 2018 | $474 | + 0.00% | 1 |
| Thu, Nov 15, 2018 | $515 | + 8.65% | 2 |
| Fri, Nov 16, 2018 | $550 | + 6.80% | 1 |
| Sat, Nov 17, 2018 | $897 | + 63.09% | 1 |
| Sun, Nov 18, 2018 | $1,393 | + 55.30% | 1 |
Cast
| Name | Character |
|---|---|
| Claude Lanzmann | Self - Interviewer |
| Paula Biren | Self |
| Ruth Elias | Self |
| Ada Lichtman | Self |
| Hanna Marton | Self |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Risk | May 5, 2017 | $0 |
| The Seasons in Quincy: Four Portraits of John Berger | Jun 23, 2017 | $0 |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| Pope Francis: A Man of His Word | May 18, 2018 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Trophy | Jan 20, 2017 | $0 |
| No Greater Love | Nov 10, 2017 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
Profitability Breakdown
Domestic
Week 1: $3.83K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $3.83K
Net: $2.3K
Costs: $0.00
Profit
Profit: $2.3K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
