Movie Information
Domestic Total: 143.54K
Opening Weekend: 67.24K
Legs: 2.13
Overview: Two unemployed friends have a fresh idea: they want to stage Shakespeare's 'Hamlet' in Grand Theft Auto. But even in a virtual world, reality intrudes in a wild and trippy film shot entirely inside the ultra-violent video game.
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jan 17, 2025 | $25,131 | + 0.00% | 75 |
| Sat, Jan 18, 2025 | $25,721 | + 2.35% | 75 |
| Sun, Jan 19, 2025 | $16,388 | -36.29% | 75 |
| Mon, Jan 20, 2025 | $12,548 | -23.43% | 75 |
| Tue, Jan 21, 2025 | $5,760 | -54.10% | 75 |
| Wed, Jan 22, 2025 | $9,125 | + 58.42% | 75 |
| Thu, Jan 23, 2025 | $5,933 | -34.98% | 75 |
| Fri, Jan 24, 2025 | $6,926 | + 16.74% | 31 |
| Sat, Jan 25, 2025 | $7,372 | + 6.44% | 31 |
| Sun, Jan 26, 2025 | $7,339 | -0.45% | 31 |
| Mon, Jan 27, 2025 | $2,433 | -66.85% | 32 |
| Tue, Jan 28, 2025 | $3,958 | + 62.68% | 32 |
| Wed, Jan 29, 2025 | $2,064 | -47.85% | 32 |
| Thu, Jan 30, 2025 | $3,361 | + 62.84% | 32 |
| Fri, Jan 31, 2025 | $363 | -89.20% | 5 |
| Sat, Feb 1, 2025 | $1,617 | + 345.45% | 5 |
| Sun, Feb 2, 2025 | $1,198 | -25.91% | 5 |
| Mon, Feb 3, 2025 | $1,051 | -12.27% | 5 |
| Tue, Feb 4, 2025 | $394 | -62.51% | 5 |
| Wed, Feb 5, 2025 | $399 | + 1.27% | 5 |
| Thu, Feb 6, 2025 | $733 | + 83.71% | 5 |
| Fri, Feb 7, 2025 | $604 | -17.60% | 4 |
| Sat, Feb 8, 2025 | $987 | + 63.41% | 4 |
| Sun, Feb 9, 2025 | $514 | -47.92% | 4 |
| Mon, Feb 10, 2025 | $339 | -34.05% | 4 |
| Tue, Feb 11, 2025 | $414 | + 22.12% | 4 |
| Wed, Feb 12, 2025 | $377 | -8.94% | 4 |
| Thu, Feb 13, 2025 | $494 | + 31.03% | 4 |
Cast
| Name | Character |
|---|---|
| Sam Crane | Hamlet |
| Pinny Grylls | Filmmaker |
| Jen Cohn | Horatio |
| Tilly Steele | Ophelia |
| Dipo Ola | Laertes |
| Mark Oosterveen | Polonius |
| Gareth Turkington | Claudius |
| Lizzie Wofford | Gertrude |
| Sam Forster | Rozencrantz |
| Jeremiah O'Connor | Ghost / Player King |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Flee | Jun 17, 2021 | $3M |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| Beba | Jun 24, 2022 | $0 |
| Risk | May 5, 2017 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Citizen K | Dec 13, 2019 | $0 |
| Whitney | Jul 5, 2018 | $0 |
| The Sparks Brothers | Jun 18, 2021 | $0 |
Profitability Breakdown
Domestic
Week 1: $100.61K
Week 2: $33.45K
Investor Share: $18.4K
Week 3+: $9.48K
Investor Share: $4.74K
International
$74.72K (34.23%)
Investor Share: $26.15K
Costs
Budget: $200K
P&A: $200K
Breakdown
Gross: $218.26K
Net: $109.66K
Costs: $400K
Profit
Profit: $-290.34K (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
