Movie Information
Domestic Total: 8.31K
Opening Weekend: 8.31K
Legs: 1.00
Overview: Normandy, 1819. Jeanne is a young woman full of childish dreams and innocence when she returns home after finishing her schooling in a convent. She marries a local Viscount, Julien de Lamare, who soon reveals himself to be a miserly and unfaithful man. Little by little Jeanne’s illusions are stripped away.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, May 5, 2017 | $2,571 | + 0.00% | 2 |
| Sat, May 6, 2017 | $5,742 | + 123.34% | 2 |
Cast
| Name | Character |
|---|---|
| Judith Chemla | Jeanne Le Perthuis des Vauds |
| Jean-Pierre Darroussin | Le baron Simon-Jacques Le Perthuis des Vauds |
| Swann Arlaud | Julien de Lamare |
| Yolande Moreau | La baronne Adélaïde Le Perthuis des Vauds |
| Nina Meurisse | Rosalie |
| Clotilde Hesme | Gilberte de Fourville |
| Alain Beigel | Georges de Fourville |
| Olivier Perrier | L'abbé Picot |
| Finnegan Oldfield | Paul de Lamare |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Danish Girl | Nov 27, 2015 | $15M |
| Mr. Holmes | Jun 19, 2015 | $11M |
| Indignation | Jul 29, 2016 | $0 |
| Carol | Nov 20, 2015 | $12M |
| By the Sea | Nov 12, 2015 | $10M |
| Love O2O | Aug 12, 2016 | $0 |
| Brooklyn | Oct 20, 2015 | $11M |
| Mohenjo Daro | Aug 11, 2016 | $17M |
Profitability Breakdown
Domestic
Week 1: $8.31K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$882.68K (99.07%)
Investor Share: $308.94K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $890.99K
Net: $313.93K
Costs: $0.00
Profit
Profit: $313.93K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
