Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 1.00
Overview: Together, a filmmaker and her characters venture into a personal research project about intimacy. On the fluid border between reality and fiction, Touch Me Not follows the emotional journeys of Laura, Tómas and Christian, offering a deeply empathic insight into their lives. Craving for intimacy yet also deeply afraid of it, they work to overcome old patterns, defense mechanisms and taboos, to cut the cord and finally be free. Touch Me Not looks at how we can find intimacy in the most unexpected ways, at how to love another without losing ourselves.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Jan 10, 2019 | $2,287 | + 0.00% | 1 |
| Name | Character |
|---|---|
| Laura Benson | Laura |
| Adina Pintilie | Adina |
| Tómas Lemarquis | Tudor |
| Christian Bayerlein | Christian |
| Irmena Chichikova | Mona |
| Grit Uhlemann | Grit |
| Hanna Hofmann | Hanna |
| Seani Love | Seani |
| Rainer Steffen | Stefan |
| Georgi Naldzhiev | Male Escort |
| Dirk Lange | Radu |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Served Like a Girl | Nov 8, 2017 | $0 |
| No Greater Love | Nov 10, 2017 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| The Seasons in Quincy: Four Portraits of John Berger | Jun 23, 2017 | $0 |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| The Young Karl Marx | Mar 2, 2017 | $0 |
| Risk | May 5, 2017 | $0 |
| Loro 1 | Apr 24, 2018 | $21M |
Week 1: $2.29K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$26.8K (92.14%)
Investor Share: $9.38K
Budget: $N/A
P&A: $N/A
Gross: $26.8K
Net: $10.75K
Costs: $0.00
Profit: $10.75K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.