
Domestic Total: 493.96K
Opening Weekend: 28.8K
Legs: 10.81
Overview: The life of internationally renowned artist and activist Nan Goldin is told through her slideshows, intimate interviews, ground-breaking photography, and rare footage of her personal fight to hold the Sackler family accountable for the overdose crisis.
| Name | Character |
|---|---|
| Nan Goldin | Self |
| Marina Berio | Self |
| David Wojnarowicz | Self (Archive Footage) |
| Cookie Mueller | Self (Archive Footage) |
| Noemi Bonazzi | Self |
| Harry Cullen | Self |
| Megan Kapler | Self |
| Annatina Miescher | Self |
| Mike Quinn | Self |
| Patrick Radden Keefe | Self |
| Darryl Pinckney | Self |
| Maggie Smith | Self |
| David Velasco | Self |
| Alexis Pleus | Self |
| Robert Suarez | Self |
| David Armstrong | Self |
| Barbara Goldin | Self |
| Sharon Niesp | Self |
| Arthur Sackler | Self |
| John Waters | Self (Archive Footage) |
| David Sackler | Self |
| Theresa Sackler | Self |
| Richard Sackler | Self |
| Leonard Bernstein | Self (Archive Footage) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Citizen K | Dec 13, 2019 | $0 |
| No Greater Love | Nov 10, 2017 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Served Like a Girl | Nov 8, 2017 | $0 |
| Risk | May 5, 2017 | $0 |
| Sparks: The Ken Sparks Story | Jan 7, 2022 | $0 |
| Trophy | Jan 20, 2017 | $0 |
Week 1: $44.88K
Week 2: $52.58K
Investor Share: $28.92K
Week 3+: $396.5K
Investor Share: $198.25K
$1.18M (70.57%)
Investor Share: $414.59K
Budget: $N/A
P&A: $N/A
Gross: $1.68M
Net: $668.68K
Costs: $0.00
Profit: $668.68K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.