Domestic Total: 7.33M
Opening Weekend: 3.11M
Legs: 2.35
Overview: Alex, an assassin-for-hire, finds that he's become a target after he refuses to complete a job for a dangerous criminal organization. With the crime syndicate and FBI in hot pursuit, Alex has the skills to stay ahead, except for one thing: he is struggling with severe memory loss, affecting his every move. Alex must question his every action and whom he can ultimately trust.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Apr 29, 2022 | $1,110,563 | + 0.00% | 2555 |
| Sat, Apr 30, 2022 | $1,216,023 | + 9.50% | 2555 |
| Sun, May 1, 2022 | $786,712 | -35.30% | 2555 |
| Mon, May 2, 2022 | $275,752 | -64.95% | 2555 |
| Tue, May 3, 2022 | $441,136 | + 59.98% | 2555 |
| Wed, May 4, 2022 | $260,101 | -41.04% | 2555 |
| Thu, May 5, 2022 | $182,378 | -29.88% | 2555 |
| Fri, May 6, 2022 | $369,337 | + 102.51% | 2433 |
| Sat, May 7, 2022 | $504,199 | + 36.51% | 2433 |
| Sun, May 8, 2022 | $511,986 | + 1.54% | 2433 |
| Mon, May 9, 2022 | $152,126 | -70.29% | 2433 |
| Tue, May 10, 2022 | $205,532 | + 35.11% | 2433 |
| Wed, May 11, 2022 | $145,986 | -28.97% | 2433 |
| Thu, May 12, 2022 | $122,650 | -15.99% | 2433 |
| Fri, May 13, 2022 | $120,012 | -2.15% | 785 |
| Sat, May 14, 2022 | $197,583 | + 64.64% | 785 |
| Sun, May 15, 2022 | $132,443 | -32.97% | 785 |
| Mon, May 16, 2022 | $54,333 | -58.98% | 785 |
| Tue, May 17, 2022 | $73,865 | + 35.95% | 785 |
| Wed, May 18, 2022 | $48,852 | -33.86% | 785 |
| Thu, May 19, 2022 | $46,546 | -4.72% | 785 |
| Fri, May 20, 2022 | $69,593 | + 49.51% | 370 |
| Sat, May 21, 2022 | $104,421 | + 50.05% | 370 |
| Sun, May 22, 2022 | $79,412 | -23.95% | 370 |
| Mon, May 23, 2022 | $33,396 | -57.95% | 370 |
| Tue, May 24, 2022 | $33,736 | + 1.02% | 370 |
| Wed, May 25, 2022 | $31,052 | -7.96% | 370 |
| Thu, May 26, 2022 | $19,318 | -37.79% | 370 |
| Name | Character |
|---|---|
| Liam Neeson | Alex Lewis |
| Guy Pearce | Vincent Serra |
| Taj Atwal | Linda Amistead |
| Harold Torres | Hugo Marquez |
| Ray Fearon | Special Agent Gerald Nussbaum |
| Monica Bellucci | Davana Sealman |
| Ray Stevenson | Detective Danny Mora |
| Mia Sanchez | Beatriz Leon |
| Daniel De Bourg | Willam Borden |
| Natalie Anderson | Maryanne Borden |
| Rebecca Calder | Wendy Van Camp |
| Scot Williams | Ellis Van Camp |
| Doug Rao | Andy Villalobos |
| Atanas Srebrev | Dr. Joseph Myers |
| Lee Boardman | Mauricio |
| Stella Stocker | Maya |
| Josh Taylor | Randy Sealman |
| Vlado Mihailov | Coleman |
| Josh Macrena | Howe |
| JR Esposito | Ballard |
| Antonio Jaramillo | Papa Leon |
| Tudor Chirilă | Luis Matan |
| Sofia Soltess | Emma Van Camp |
| Lyubomir Bachvarov | Paul |
| Sigal Diamant | Serena |
| Mariana Krumova | Madera Matan |
| Danaya Velinova | Marisol |
| Kate Nichols | Davana Sealman's Assistant |
| Neda Spasova | Waitress |
| Devina Vassileva | Marisol |
| Dee | Bartender |
| Raluca Aprodu | Caregiver |
| Louis Mandylor | Drunk Broker |
| Kalina Stancheva | Claudia |
| Trevor Van Uden | SWAT Commander |
| Petar Kirilov | Cop |
| Sol E. Romero | Waitress |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| CHiPS | Mar 23, 2017 | $25M |
| Den of Thieves | Jan 18, 2018 | $30M |
| Peppermint | Sep 6, 2018 | $25M |
| Death Wish | Mar 2, 2018 | $30M |
| Sicario: Day of the Soldado | Jun 27, 2018 | $35M |
| The Equalizer 2 | Jul 19, 2018 | $62M |
| Bad Boys for Life | Jan 15, 2020 | $90M |
| Copshop | Sep 9, 2021 | $44M |
Week 1: $4.27M
Week 2: $2.01M
Investor Share: $1.11M
Week 3+: $1.04M
Investor Share: $522.28K
$5.1M (41.04%)
Investor Share: $1.79M
Budget: $30M
P&A: $30M
Gross: $12.43M
Net: $5.98M
Costs: $60M
Profit: $-54.02M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.