Domestic Total: 5.62K
Opening Weekend: 0.00
Legs: 1.00
Overview: Donya, a lonely Afghan refugee and former translator, spends her twenties drifting through a meager existence in Fremont, California. Shuttling between her job writing fortunes for a fortune cookie factory and sessions with her eccentric therapist, Donya suffers from insomnia and survivor's guilt over those still left behind in Kabul as she desperately searches for love.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Sep 4, 2023 | $5,623 | + 0.00% | 9 |
| Name | Character |
|---|---|
| Anaita Wali Zada | Donya |
| Jeremy Allen White | Daniel |
| Gregg Turkington | Dr. Anthony |
| Hilda Schmelling | Joanna |
| Siddique Ahmed | Salim |
| Taban Ibraz | Mina |
| Avis See-tho | Fan |
| Timur Nusratty | Suleyman |
| Eddie Tang | Ricky |
| Jennifer McKay | Lin |
| Divya Jakatdar | Amaya |
| Fazil Seddiqui | Aziz |
| Molly Noble | Molly |
| Enoch Ku | Jason |
| Corey Seaver | Fortune Cookie Delivery Man |
| Boots Riley | Restaurant Patron (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Far From The Tree | Apr 30, 2017 | $25K |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Citizen K | Dec 13, 2019 | $0 |
| 2000 Mules | May 20, 2022 | $5M |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Loro 1 | Apr 24, 2018 | $21M |
| Flee | Jun 17, 2021 | $3M |
| Dangal | Dec 21, 2016 | $10M |
Week 1: $5.62K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$281.52K (98.04%)
Investor Share: $98.53K
Budget: $3M
P&A: $3M
Gross: $287.14K
Net: $101.91K
Costs: $6M
Profit: $-5.9M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.