Movie Information
Domestic Total: 742.00
Opening Weekend: 742.00
Legs: 1.00
Overview: Belle, her little sister, and her comatose twin brother move into a new house with their single mother in order to save money to help pay for her brother's expensive healthcare. But when strange phenomena begin to occur including the miraculous recovery of her brother, Belle begins to suspect her mother isn't telling her everything and soon learns they moved into the infamous Amityville house.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Sat, Oct 28, 2017 | $742 | + 0.00% | 10 |
Cast
| Name | Character |
|---|---|
| Bella Thorne | Belle Walker |
| Cameron Monaghan | James Walker |
| Jennifer Jason Leigh | Joan Walker |
| Thomas Mann | Terrence |
| Jennifer Morrison | Candice |
| Kurtwood Smith | Dr. Milton |
| Mckenna Grace | Juliet Walker |
| Taylor Spreitler | Marissa |
| Brian Breiter | Teacher |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Vatican Tapes | Jul 23, 2015 | $13M |
| Green Room | Apr 15, 2016 | $5M |
| The Other Side of the Door | Feb 25, 2016 | $5M |
| The Book of Henry | Jun 16, 2017 | $10M |
| Regression | Oct 1, 2015 | $20M |
| Caged No More | Jan 15, 2016 | $0 |
| Blood Feast | Aug 27, 2016 | $0 |
| The Monster | Nov 11, 2016 | $3M |
Profitability Breakdown
Domestic
Week 1: $742.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$7.7M (99.99%)
Investor Share: $2.7M
Costs
Budget: $12M
P&A: $12M
Breakdown
Gross: $7.7M
Net: $2.7M
Costs: $24M
Profit
Profit: $-21.3M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
