Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: Two brothers become entangled in a scheme that turns out to be too good to be true. As they try to navigate their way through the dangerous world of the Russian mafia, family bonds begin to fray with life-altering consequences.
| Date | Revenue | % YD | Theaters |
|---|
| Name | Character |
|---|---|
| Miles Teller | Irwin Pearl |
| Adam Driver | Gary Pearl |
| Scarlett Johansson | Hester Pearl |
| Gavin Goudey | Scott Pearl |
| Roman Engel | Benjamin Pearl |
| Cindy Katz | Iris Belfer |
| Yavor Vesselinov | Alexei Yunov |
| Victor Ptak | Semion Bogoyavich |
| Dimiter D. Marinov | Daniil |
| Raphael Corkhill | Vasily |
| Roman Blat | Konstantin |
| Patrick Murney | Bureau Chief Robert Bloom |
| Joel Marsh Garland | Lt. Stan Durkheim |
| Michael Alix | Frank de Costa |
| Meredith Holzman | Agent Diguiseppi |
| Rosslyn Luke | Anita |
| Grisha Reydler | Lev |
| Yelena Solovey | Elena |
| Vadim Kroll | Evgeni |
| Debbie Troche | Beehive Hair Waitress |
| Wayne Chang | Chinese Restaurant Host |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Emily the Criminal | Aug 12, 2022 | $2M |
| Sicario | Sep 17, 2015 | $30M |
| Destroyer | Dec 25, 2018 | $9M |
| The Only Living Pickpocket in New York | Oct 16, 2026 | $0 |
| Love Lies Bleeding | Mar 7, 2024 | $10M |
| Saltburn | Nov 16, 2023 | $20M |
| Wind River | Aug 3, 2017 | $11M |
| 1917 | Dec 25, 2019 | $100M |
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (NaN%)
Investor Share: $N/A
Budget: $15M
P&A: $15M
Gross: $0.00
Net: $0.00
Costs: $30M
Profit: $-30M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.