Domestic Total: 734.21K
Opening Weekend: 422.9K
Legs: 1.74
Overview: Tessa finds herself struggling with her complicated relationship with Hardin; she faces a dilemma that could change their lives forever.
| Name | Character |
|---|---|
| Josephine Langford | Tessa Young |
| Hero Fiennes Tiffin | Hardin Scott |
| Dylan Sprouse | Trevor Matthews |
| Louise Lombard | Trish Daniels |
| Charlie Weber | Christian Vance |
| Candice King | Kimberly Vance |
| Shane Paul McGhie | Landon Gibson |
| Rob Estes | Ken Scott |
| Inanna Sarkis | Molly Samuels |
| Selma Blair | Carol Young |
| Samuel Larsen | Zed Evans |
| Khadijha Red Thunder | Steph Jones |
| Max Ragone | Smith Vance |
| Dylan Arnold | Noah Porter |
| Karimah Westbrook | Karen Scott |
| John Jackson Hunter | Hardin Scott (kid) |
| Pia Mia | Tristan |
| Ariel Yasmine | Jamie |
| Stefan Rollins | Homeless Man |
| Clay Neal | Uber Driver |
| Constance Payne | Zoe |
| Vince Pisani | Hotel Manager |
| Jon W. Sparks | Santa Claus |
| Davin Allen Grindstaff | Skater |
| Vanessa Dubasso | Ally |
| Sarah Rossman | Nadia |
| Anna Todd | Club Patron #1 |
| Beatrice Kumble | Club Patron #2 |
| Taylor Conrod | Paige |
| Marisol Correa | Christmas Guest |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Disobedience | Apr 24, 2018 | $6M |
| A Hologram for the King | Apr 22, 2016 | $30M |
| Hello, My Name Is Doris | Nov 27, 2015 | $1M |
| T2 Trainspotting | Jan 27, 2017 | $18M |
| Boy Erased | Sep 24, 2018 | $15M |
| Carol | Nov 20, 2015 | $12M |
| Swiss Army Man | Jun 24, 2016 | $3M |
| On Chesil Beach | Jan 19, 2018 | $746K |
Week 1: $489.68K
Week 2: $141.67K
Investor Share: $77.92K
Week 3+: $102.86K
Investor Share: $51.43K
$40.92M (98.24%)
Investor Share: $14.32M
Budget: $14M
P&A: $14M
Gross: $41.65M
Net: $14.75M
Costs: $28M
Profit: $-13.25M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.