Domestic Total: 52.66K
Opening Weekend: 24.92K
Legs: 1.86
Overview: One morning, Jessica Holland, a Scottish orchid farmer visiting her sister in Bogotá, is woken by a loud ‘bang’. This haunting sound dispels her sleep for days, calling into question her identity and guiding her from recording studios to secluded jungle villages in an attempt to find its source.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Sun, Dec 26, 2021 | $6,797 | + 0.00% | 1 |
| Mon, Dec 27, 2021 | $6,214 | -8.58% | 1 |
| Tue, Dec 28, 2021 | $5,341 | -14.05% | 1 |
| Wed, Dec 29, 2021 | $7,255 | + 35.84% | 1 |
| Thu, Dec 30, 2021 | $8,927 | + 23.05% | 1 |
| Fri, Dec 31, 2021 | $6,057 | -32.15% | 1 |
| Sat, Jan 1, 2022 | $12,065 | + 99.19% | 1 |
| Name | Character |
|---|---|
| Tilda Swinton | Jessica Holland |
| Agnes Brekke | Karen Holland |
| Daniel Giménez Cacho | Juan Ospina |
| Jerónimo Barón | Mateo Ospina |
| Juan Pablo Urrego | Young Hernán Bedoya |
| Jeanne Balibar | Agnes Cerkinsky |
| Aída Morales | Vendor |
| Constanza Guitérrez | Doctor Constanza |
| Elkin Díaz | Older Hernán Bedoya |
| Daniel Toro | Anthropologist Assistant (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| High Life | Sep 26, 2018 | $9M |
| Bergman Island | Jul 14, 2021 | $0 |
| Undine | Jul 1, 2020 | $0 |
| Mia and the White Lion | Aug 2, 2018 | $10M |
| Everybody Knows | May 9, 2018 | $11M |
| Once I Was a Beehive | Aug 14, 2015 | $0 |
| Beatriz at Dinner | Jun 9, 2017 | $0 |
| Even in Dreams | Aug 6, 2021 | $0 |
Week 1: $52.66K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$975.04K (94.88%)
Investor Share: $341.26K
Budget: $N/A
P&A: $N/A
Gross: $1.03M
Net: $372.86K
Costs: $0.00
Profit: $372.86K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.