Domestic Total: 4.11M
Opening Weekend: 1.73M
Legs: 2.38
Overview: In 1634 France, charismatic Father Urbain Grandier becomes the target of a sexually obsessed nun’s witchcraft accusations, which corrupt church and state officials are all too happy to exploit.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 16, 2026 | $766,076 | + 0.00% | 350 |
| Sat, Oct 17, 2026 | $515,203 | -32.75% | 350 |
| Sun, Oct 18, 2026 | $444,179 | -13.79% | 350 |
| Mon, Oct 19, 2026 | $274,914 | -38.11% | 350 |
| Tue, Oct 20, 2026 | $256,723 | -6.62% | 350 |
| Wed, Oct 21, 2026 | $265,738 | + 3.51% | 350 |
| Thu, Oct 22, 2026 | $205,915 | -22.51% | 350 |
| Fri, Oct 23, 2026 | $125,177 | -39.21% | 315 |
| Sat, Oct 24, 2026 | $156,074 | + 24.68% | 315 |
| Sun, Oct 25, 2026 | $136,323 | -12.65% | 315 |
| Mon, Oct 26, 2026 | $84,916 | -37.71% | 315 |
| Tue, Oct 27, 2026 | $94,823 | + 11.67% | 315 |
| Wed, Oct 28, 2026 | $94,101 | -0.76% | 315 |
| Thu, Oct 29, 2026 | $66,334 | -29.51% | 315 |
| Fri, Oct 30, 2026 | $91,076 | + 37.30% | 217 |
| Sat, Oct 31, 2026 | $101,811 | + 11.79% | 217 |
| Sun, Nov 1, 2026 | $82,565 | -18.90% | 217 |
| Mon, Nov 2, 2026 | $41,186 | -50.12% | 217 |
| Tue, Nov 3, 2026 | $47,163 | + 14.51% | 217 |
| Wed, Nov 4, 2026 | $54,207 | + 14.94% | 217 |
| Thu, Nov 5, 2026 | $35,642 | -34.25% | 217 |
| Fri, Nov 6, 2026 | $40,388 | + 13.32% | 81 |
| Sat, Nov 7, 2026 | $35,450 | -12.23% | 81 |
| Sun, Nov 8, 2026 | $25,735 | -27.40% | 81 |
| Mon, Nov 9, 2026 | $15,642 | -39.22% | 81 |
| Tue, Nov 10, 2026 | $22,787 | + 45.68% | 81 |
| Wed, Nov 11, 2026 | $19,906 | -12.64% | 81 |
| Thu, Nov 12, 2026 | $12,147 | -38.98% | 81 |
| Name | Character |
|---|---|
| Vanessa Redgrave | Sister Jeanne des Anges |
| Oliver Reed | Father Urbain Grandier |
| Dudley Sutton | Baron de Laubardemont |
| Max Adrian | Ibert |
| Gemma Jones | Madeleine de Brou |
| Murray Melvin | Father-Canon Jean Mignon |
| Michael Gothard | Father Pierre Barre |
| Georgina Hale | Philippe Trincant |
| Brian Murphy | Adam |
| Christopher Logue | Cardinal Richelieu |
| Graham Armitage | King Louis XIII |
| John Woodvine | Louis Trincant |
| Andrew Faulds | Rangier |
| Kenneth Colley | Legrand |
| Judith Paris | Sister Agnes (miscredited as Sister Judith) |
| Catherine Willmer | Sister Catherine |
| Izabella Telezynska | Sister Iza |
| Niké Arrighi | Nun (uncredited) |
| Pat Ashton | Gossiping Woman (uncredited) |
| Peter Avella | Citizen (uncredited) |
| Imogen Claire | Nun (uncredited) |
| Barbie Denham | Vestal Virgin (uncredited) |
| Hugh Elton | Courtier (uncredited) |
| Harry Fielder | Soldier / Blackbird (uncredited) |
| Selina Gilbert | Nun (uncredited) |
| Cheryl Grunwald | Vestal Virgin (uncredited) |
| Charles Price | Soldier (uncredited) |
| Charles Rayford | Spectator (uncredited) |
| Jack Sharp | Spectator (uncredited) |
| Doremy Vernon | Nun (uncredited) |
| Twiggy | Pageboy (uncredited) |
| Donald Campbell | Spectator (uncredited) |
| Justin de Villeneuve | Courtier (uncredited) |
| Fred Peck | Spectator (uncredited) |
| Tony Allen | Spectator / Clerk of Court (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Blaze | Aug 17, 2018 | $1M |
| Denial | Sep 30, 2016 | $10M |
| Darkest Hour | Nov 22, 2017 | $30M |
| Citizen K | Dec 13, 2019 | $0 |
| Murder in the Woods | Aug 14, 2017 | $0 |
| Mandy | Sep 13, 2018 | $6M |
| Counter Column | May 21, 2021 | $0 |
| Hidden Figures | Dec 10, 2016 | $25M |
Week 1: $2.73M
Week 2: $757.75K
Investor Share: $416.76K
Week 3+: $625.71K
Investor Share: $312.85K
$548.09K (11.76%)
Investor Share: $191.83K
Budget: $2M
P&A: $2M
Gross: $4.66M
Net: $2.56M
Costs: $4M
Profit: $-1.44M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.