The Exorcism Poster
The Exorcism (2024)
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The Exorcism Revenue (Daily) (with Theater Counts)

Domestic Total: 4.53M

Opening Weekend: 2.46M

Legs: 1.84

Overview: A troubled actor begins to unravel while shooting a supernatural horror film, leading his estranged daughter to wonder if he's slipping back into his past addictions or if there's something more sinister at play.


TMDB

5.1

IMDB

4.2

Metacritic

46

RT Tomato

75

Letterboxd

1.77

Daily Table

DateRevenue% YDTheaters
Fri, Jun 21, 2024$944,916+ 0.00%2240
Sat, Jun 22, 2024$852,206 -9.81%2240
Sun, Jun 23, 2024$659,919 -22.56%2240
Mon, Jun 24, 2024$313,849 -52.44%2240
Tue, Jun 25, 2024$423,266+ 34.86%2240
Wed, Jun 26, 2024$310,023 -26.75%2240
Thu, Jun 27, 2024$165,352 -46.66%2240
Fri, Jun 28, 2024$185,185+ 11.99%1560
Sat, Jun 29, 2024$220,906+ 19.29%1560
Sun, Jun 30, 2024$189,118 -14.39%1560
Mon, Jul 1, 2024$97,212 -48.60%1560
Tue, Jul 2, 2024$119,224+ 22.64%1560
Wed, Jul 3, 2024$26,728 -77.58%1560
Thu, Jul 4, 2024$22,514 -15.77%1560
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
Halloween KillsOct 14, 2021$20M
Hell FestSep 27, 2018$6M
Don't BreatheJun 8, 2016$10M
ImmaculateMar 20, 2024$9M
The Neon DemonMay 31, 2016$7M
Paranormal Activity: The Ghost DimensionOct 21, 2015$10M
Blair WitchSep 15, 2016$5M
Unfriended: Dark WebJul 19, 2018$1M
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Profitability Breakdown

Domestic

Week 1: $3.67M

Investor Share: $2.2M

Week 2: $860.89K

Investor Share: $473.49K

Week 3+: $0.00

Investor Share: $0.00

International

$4.11M (47.57%)

Investor Share: $1.44M

Costs

Budget: $22M


P&A: $22M

Breakdown

Gross: $8.64M


Net: $4.11M


Costs: $44M

Profit

Profit: $-39.89M (Loss)

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies