Domestic Total: 1.94M
Opening Weekend: 65.59K
Legs: 3.50
Overview: On the evening of March 31, 1943, legendary lyricist Lorenz Hart confronts his shattered self-confidence in Sardi’s bar as his former collaborator Richard Rodgers celebrates the opening night of his ground-breaking hit musical “Oklahoma!”.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 17, 2025 | $22,690 | + 0.00% | 5 |
| Sat, Oct 18, 2025 | $22,370 | -1.41% | 5 |
| Sun, Oct 19, 2025 | $20,533 | -8.21% | 5 |
| Mon, Oct 20, 2025 | $8,112 | -60.49% | 5 |
| Tue, Oct 21, 2025 | $9,953 | + 22.69% | 5 |
| Wed, Oct 22, 2025 | $11,472 | + 15.26% | 5 |
| Thu, Oct 23, 2025 | $5,726 | -50.09% | 5 |
| Fri, Oct 24, 2025 | $208,513 | + 3541.51% | 689 |
| Sat, Oct 25, 2025 | $195,357 | -6.31% | 689 |
| Sun, Oct 26, 2025 | $150,451 | -22.99% | 689 |
| Mon, Oct 27, 2025 | $75,812 | -49.61% | 689 |
| Tue, Oct 28, 2025 | $101,210 | + 33.50% | 689 |
| Wed, Oct 29, 2025 | $85,572 | -15.45% | 689 |
| Thu, Oct 30, 2025 | $85,127 | -0.52% | 689 |
| Fri, Oct 31, 2025 | $56,403 | -33.74% | 313 |
| Sat, Nov 1, 2025 | $106,963 | + 89.64% | 313 |
| Sun, Nov 2, 2025 | $81,317 | -23.98% | 313 |
| Mon, Nov 3, 2025 | $41,462 | -49.01% | 313 |
| Tue, Nov 4, 2025 | $50,617 | + 22.08% | 313 |
| Wed, Nov 5, 2025 | $48,231 | -4.71% | 313 |
| Thu, Nov 6, 2025 | $47,840 | -0.81% | 313 |
| Fri, Nov 7, 2025 | $36,101 | -24.54% | 115 |
| Sat, Nov 8, 2025 | $58,376 | + 61.70% | 115 |
| Sun, Nov 9, 2025 | $40,902 | -29.93% | 115 |
| Mon, Nov 10, 2025 | $19,604 | -52.07% | 115 |
| Tue, Nov 11, 2025 | $27,847 | + 42.05% | 115 |
| Wed, Nov 12, 2025 | $20,813 | -25.26% | 115 |
| Thu, Nov 13, 2025 | $21,466 | + 3.14% | 115 |
| Fri, Nov 14, 2025 | $24,593 | + 14.57% | 81 |
| Sat, Nov 15, 2025 | $44,097 | + 79.31% | 81 |
| Sun, Nov 16, 2025 | $31,178 | -29.30% | 81 |
| Mon, Nov 17, 2025 | $12,228 | -60.78% | 81 |
| Tue, Nov 18, 2025 | $15,386 | + 25.83% | 81 |
| Wed, Nov 19, 2025 | $16,585 | + 7.79% | 81 |
| Thu, Nov 20, 2025 | $15,152 | -8.64% | 81 |
| Fri, Nov 21, 2025 | $11,484 | -24.21% | 50 |
| Sat, Nov 22, 2025 | $18,569 | + 61.69% | 50 |
| Sun, Nov 23, 2025 | $12,336 | -33.57% | 50 |
| Mon, Nov 24, 2025 | $7,014 | -43.14% | 50 |
| Tue, Nov 25, 2025 | $6,728 | -4.08% | 50 |
| Wed, Nov 26, 2025 | $6,959 | + 3.43% | 50 |
| Thu, Nov 27, 2025 | $4,807 | -30.92% | 50 |
| Fri, Nov 28, 2025 | $10,712 | + 122.84% | 37 |
| Sat, Nov 29, 2025 | $12,769 | + 19.20% | 37 |
| Sun, Nov 30, 2025 | $12,502 | -2.09% | 37 |
| Mon, Dec 1, 2025 | $3,534 | -71.73% | 37 |
| Tue, Dec 2, 2025 | $3,863 | + 9.31% | 37 |
| Wed, Dec 3, 2025 | $3,114 | -19.39% | 37 |
| Thu, Dec 4, 2025 | $5,219 | + 67.60% | 37 |
| Name | Character |
|---|---|
| Ethan Hawke | Lorenz Hart |
| Margaret Qualley | Elizabeth Weiland |
| Bobby Cannavale | Eddie |
| Andrew Scott | Richard Rodgers |
| Jonah Lees | N/A |
| Simon Delaney | Oscar Hammerstein II |
| Cillian O'Sullivan | N/A |
| Patrick Kennedy | E.B. White |
| Caitríona Ennis | Cigarette Girl |
| Ian Dillon | Elizabeth’s Mothers Friend (uncredited) |
| Brian Briggs | Waiter |
| Giles Surridge | Troy |
| Ray Weafer | Maitre'd at Sardi's (credit only) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Hotel Mumbai | Mar 14, 2019 | $25M |
| Patriots Day | Dec 12, 2016 | $45M |
| Armageddon Time | Oct 28, 2022 | $15M |
| Bombshell | Dec 13, 2019 | $32M |
| The Favourite | Nov 23, 2018 | $15M |
| Blaze | Aug 17, 2018 | $1M |
| Detroit | Jul 28, 2017 | $34M |
| Mary Queen of Scots | Dec 7, 2018 | $25M |
Week 1: $100.86K
Week 2: $902.04K
Investor Share: $496.12K
Week 3+: $936.77K
Investor Share: $468.39K
$126.17K (6.11%)
Investor Share: $44.16K
Budget: $N/A
P&A: $N/A
Gross: $2.07M
Net: $1.07M
Costs: $0.00
Profit: $1.07M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.