Domestic Total: 14.21K
Opening Weekend: 9.51K
Legs: 1.49
Overview: Russian president Vladimir Putin attacks the 2016 American Presidential Election in collaboration with The Trump Campaign.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Aug 31, 2018 | $2,490 | + 0.00% | 2 |
| Sat, Sep 1, 2018 | $3,325 | + 33.53% | 2 |
| Sun, Sep 2, 2018 | $3,694 | + 11.10% | 2 |
| Mon, Sep 3, 2018 | $2,444 | -33.84% | 2 |
| Fri, Sep 7, 2018 | $266 | -89.12% | 1 |
| Sat, Sep 8, 2018 | $1,169 | + 339.47% | 1 |
| Sun, Sep 9, 2018 | $818 | -30.03% | 1 |
| Name | Character |
|---|---|
| Donald Trump | Self (archive footage) (as Donald J. Trump) |
| Vladimir Putin | Self (archive footage) |
| Jeremy Bash | Self |
| Nina Burleigh | Self |
| Alexandra Chalupa | Self |
| Hillary Clinton | Self |
| Heather Conley | Self |
| John Dean | Self |
| Richard Fontaine | Self |
| Dan Fried | Self |
| Steven Hall | Self |
| Scott Horton | Self |
| Toomas Hendrik Ilves | Self |
| Michael Isikoff | Self |
| John Mattes | Self |
| John McCain | Self |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Gleason | Jul 30, 2016 | $0 |
| Batkid Begins | Jun 26, 2015 | $0 |
| Three Identical Strangers | Jun 29, 2018 | $0 |
| Won't You Be My Neighbor? | Jun 29, 2018 | $0 |
| The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble | Jun 10, 2016 | $0 |
| He Named Me Malala | Sep 12, 2015 | $0 |
Week 1: $14.21K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $14.21K
Net: $8.52K
Costs: $0.00
Profit: $8.52K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.