Movie Information
Domestic Total: 90.49K
Opening Weekend: 6.01K
Legs: 5.51
Overview: Dina, an outspoken and eccentric 49-year-old in suburban Philadelphia, invites her fiancé Scott, a Walmart door greeter, to move in with her. Having grown up neurologically diverse in a world blind to the value of their experience, the two are head-over-heels for one another, but shacking up poses a new challenge. Scott freezes when it comes to physical intimacy, and Dina, a Kardashians fanatic, wants nothing more than to share with Scott all she’s learned about sensual desire from books, TV shows, and her previous marriage. Her increasingly creative forays to draw Scott close keep hitting roadblocks—exposing anxieties, insecurities, and communication snafus while they strive to reconcile their conflicting approaches to romance and intimacy.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Batkid Begins | Jun 26, 2015 | $0 |
| The Seasons in Quincy: Four Portraits of John Berger | Jun 23, 2017 | $0 |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| Rat Film | Aug 10, 2016 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Trophy | Jan 20, 2017 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Risk | May 5, 2017 | $0 |
Profitability Breakdown
Domestic
Week 1: $7K
Week 2: $17.17K
Investor Share: $9.44K
Week 3+: $66.32K
Investor Share: $33.16K
International
$6.02K (6.23%)
Investor Share: $2.11K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $96.51K
Net: $48.91K
Costs: $0.00
Profit
Profit: $48.91K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
