Fight or Flight Poster
Fight or Flight (2025)
TMDB Wikipedia Letterboxd Rotten Tomatoes Website IMDB Numbers Box Office Mojo
Fight or Flight Revenue (Daily) (with Theater Counts)

Domestic Total: 3.52M

Opening Weekend: 2M

Legs: 1.94

Overview: A mercenary takes on the job of tracking down a target on a plane but must protect her when they're surrounded by people trying to kill both of them.


TMDB

6.1

IMDB

6.4

Metacritic

59

RT Tomato

76

RT Popcorn

75

Letterboxd

2.97

Daily Table

DateRevenue% YDTheaters
Thu, May 8, 2025$550,000+ 0.00%
Fri, May 9, 2025$1,000,730+ 81.95%2153
Sat, May 10, 2025$545,417 -45.50%2153
Sun, May 11, 2025$455,934 -16.41%2153
Mon, May 12, 2025$172,213 -62.23%2153
Tue, May 13, 2025$291,566+ 69.31%2153
Wed, May 14, 2025$153,237 -47.44%2153
Thu, May 15, 2025$105,817 -30.95%2153
Fri, May 16, 2025$139,112+ 31.46%1672
Sat, May 17, 2025$215,814+ 55.14%1672
Sun, May 18, 2025$155,346 -28.02%1672
Mon, May 19, 2025$71,180 -54.18%1672
Tue, May 20, 2025$121,417+ 70.58%1672
Wed, May 21, 2025$72,585 -40.22%1672
Thu, May 22, 2025$21,657 -70.16%1672
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Comps

Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.

TitleRelease DateBudget
The Killer's GameSep 12, 2024$30M
Operation Fortune: Ruse de GuerreJan 4, 2023$50M
ArgylleJan 31, 2024$200M
NovocaineMar 12, 2025$18M
The Hitman's BodyguardAug 16, 2017$30M
The ProtégéAug 19, 2021$0
The CommuterJan 11, 2018$30M
Guy Ritchie's The CovenantApr 19, 2023$55M
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Profitability Breakdown

Domestic

Week 1: $3.17M

Investor Share: $1.9M

Week 2: $881.27K

Investor Share: $484.7K

Week 3+: $21.66K

Investor Share: $10.83K

International

$777.6K (16.03%)

Investor Share: $272.16K

Costs

Budget: $40M


P&A: $40M

Breakdown

Gross: $4.3M


Net: $2.67M


Costs: $80M

Profit

Profit: $-77.33M (Loss)

The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.

Production Companies

Keywords