Domestic Total: 2.92M
Opening Weekend: 135.3K
Legs: 3.59
Overview: Ingrid becomes obsessed with a social network star named Taylor Sloane who seemingly has a perfect life. But when Ingrid decides to drop everything and move west to be Taylor's friend, her behaviour turns unsettling and dangerous.
| Name | Character |
|---|---|
| Aubrey Plaza | Ingrid Thorburn |
| Elizabeth Olsen | Taylor Sloane |
| O'Shea Jackson Jr. | Dan Pinto |
| Wyatt Russell | Ezra O'Keefe |
| Billy Magnussen | Nicky Sloane |
| Pom Klementieff | Harley Chung |
| Hannah Pearl Utt | Nicole |
| Joseph Breen | Garth Lafayette |
| Angelica Amor | Cindy |
| Meredith Hagner | Charlotte |
| Charlie Wright | Chuck |
| Dennis Atlas | Buck |
| Malika Williams | Nurse |
| Luis Deveze | Mechanic |
| Jay Speedy Weingarten | Waiter |
| Martin Garcia | Mail Man |
| Brandon Johnson | Bouncer |
| Vincent van Hinte | Cashier |
| Destiny Soria | Cowgirl (uncredited) |
| Aidan Wallace | Logan (uncredited) |
| Tina Lorraine | Therapist (uncredited) |
| Megan Griffey | Bar Patron (uncredited) |
| Andrew Horschak | Bar Patron (uncredited) |
| Jana Ritter | Dancing Woman (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Mistress America | Aug 14, 2015 | $0 |
| Once I Was a Beehive | Aug 14, 2015 | $0 |
| The Party | Jul 27, 2017 | $0 |
| Beatriz at Dinner | Jun 9, 2017 | $0 |
| Paterson | Nov 17, 2016 | $5M |
| Swiss Army Man | Jun 24, 2016 | $3M |
| Grandma | Jun 4, 2015 | $600K |
| The Lovers | May 5, 2017 | $0 |
Week 1: $173.12K
Week 2: $1.14M
Investor Share: $628.71K
Week 3+: $1.61M
Investor Share: $802.83K
$250.34K (7.89%)
Investor Share: $87.62K
Budget: $N/A
P&A: $N/A
Gross: $3.17M
Net: $1.62M
Costs: $0.00
Profit: $1.62M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.