Domestic Total: 725.04K
Opening Weekend: 430.9K
Legs: 1.68
Overview: After surviving an IED explosion in combat overseas, a young soldier with the Army Motorcycle Unit is medically discharged with a broken back and leg. Against all odds he trains to make an impossible comeback as a motocross racer in order to support his family.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Aug 30, 2019 | $143,675 | + 0.00% | 970 |
| Sat, Aug 31, 2019 | $143,560 | -0.08% | 970 |
| Sun, Sep 1, 2019 | $143,663 | + 0.07% | 970 |
| Mon, Sep 2, 2019 | $124,987 | -13.00% | 970 |
| Tue, Sep 3, 2019 | $61,153 | -51.07% | 970 |
| Wed, Sep 4, 2019 | $42,195 | -31.00% | 970 |
| Thu, Sep 5, 2019 | $26,582 | -37.00% | 970 |
| Fri, Sep 6, 2019 | $10,105 | -61.99% | 290 |
| Sat, Sep 7, 2019 | $16,269 | + 61.00% | 290 |
| Sun, Sep 8, 2019 | $12,853 | -21.00% | 290 |
| Name | Character |
|---|---|
| Michael Roark | Marshall Bennett |
| Trace Adkins | Cal Bennett |
| Ali Afshar | Cyrus |
| Allison Paige | Sophie Bennett |
| Hunter Clowdus | Chris Walker |
| Brando Eaton | Kurt Walker |
| Violet McGraw | Rebecca |
| Carrie Bolling | N/A |
| Nicole Cesa | N/A |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Perfect Guy | Sep 11, 2015 | $12M |
| Demolition | Apr 6, 2016 | $10M |
| The Choice | Feb 4, 2016 | $10M |
| Creed | Nov 25, 2015 | $37M |
| Almost Christmas | Nov 11, 2016 | $17M |
| Creed II | Nov 21, 2018 | $50M |
| Ricki and the Flash | Jul 10, 2015 | $18M |
| Collateral Beauty | Dec 15, 2016 | $36M |
Week 1: $685.82K
Week 2: $39.23K
Investor Share: $21.57K
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $725.04K
Net: $433.06K
Costs: $0.00
Profit: $433.06K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.