Domestic Total: 5.49K
Opening Weekend: 5.29K
Legs: 1.04
Overview: The biggest tech revolution of the 21st century isn’t digital, it’s biological. A breakthrough called CRISPR gives us unprecedented control over the basic building blocks of life. It opens the door to curing disease, reshaping the biosphere, and designing our own children. This documentary is a provocative exploration of CRISPR’s far-reaching implications, through the eyes of the scientists who discovered it, the families it’s affecting, and the genetic engineers who are testing its limits.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Mar 13, 2020 | $3,130 | + 0.00% | 2 |
| Sat, Mar 14, 2020 | $1,566 | -49.97% | 2 |
| Sun, Mar 15, 2020 | $598 | -61.81% | 2 |
| Mon, Mar 16, 2020 | $127 | -78.76% | 2 |
| Tue, Mar 17, 2020 | $58 | -54.33% | 2 |
| Wed, Mar 18, 2020 | $8 | -86.21% | 2 |
| Name | Character |
|---|---|
| David Baltimore | self |
| George Church | self |
| Jennifer Doudna | self |
| Rodolphe Barrangou | self |
| Antonio Regalado | self |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Eating Animals | Jun 15, 2018 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Trophy | Jan 20, 2017 | $0 |
| No Greater Love | Nov 10, 2017 | $0 |
| Risk | May 5, 2017 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| The Devil and Father Amorth | Apr 20, 2018 | $0 |
| Served Like a Girl | Nov 8, 2017 | $0 |
Week 1: $5.49K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$347.00 (5.95%)
Investor Share: $121.45
Budget: $N/A
P&A: $N/A
Gross: $5.83K
Net: $3.41K
Costs: $0.00
Profit: $3.41K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.