Domestic Total: 506.52K
Opening Weekend: 276.27K
Legs: 1.83
Overview: Utilizing his paintings to find freedom from his past, a Black artist on the path to success is derailed by an unexpected visit from his estranged father, a recovering addict desperate to reconcile. Together, they learn that forgetting might be a greater challenge than forgiving.
| Name | Character |
|---|---|
| André Holland | Tarrell |
| Andra Day | Aisha |
| John Earl Jelks | La'Ron |
| Aunjanue Ellis-Taylor | Joyce |
| Matthew Elam | Quentin |
| G.L. McQueary | Michael |
| Chip Carriere | Chaplain George |
| Ian Foreman | Young Tarrell |
| Tia Dionne Hodge | Regina |
| Justin Hofstad | Tommy |
| Jaime Ray Newman | Janine |
| Daniel Michael Barriere | Jermaine |
| Daniel Allen Myers | Young Black Man |
| Dan Nainan | Dr. Parvez |
| Peter Van Wagner | Gus |
| Tony Torn | Arthur |
| Cindy Jackson | Miss Hall |
| Caroline Keating | Flashback Nurse |
| Martha Morgan | Nurse 1 |
| Jewel Turner | Nurse 2 |
| Eric Newland | Dump Attendant |
| Alyssah Janey | Art Patron |
| Brawley Chisholm | Basketball Player (uncredited) |
| Natasja Naarendorp | Art Patron (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Stillwater | Jul 29, 2021 | $20M |
| Demolition | Apr 6, 2016 | $10M |
| The Way Back | Mar 5, 2020 | $23M |
| El Chicano | May 3, 2019 | $0 |
| Life Itself | Sep 21, 2018 | $10M |
| The Edge of Seventeen | Nov 18, 2016 | $9M |
| Boogie | Mar 5, 2021 | $20M |
| Shine | Oct 25, 2017 | $0 |
Week 1: $408.5K
Week 2: $77.08K
Investor Share: $42.39K
Week 3+: $20.94K
Investor Share: $10.47K
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $506.52K
Net: $297.96K
Costs: $0.00
Profit: $297.96K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.