Domestic Total: 10.24K
Opening Weekend: 7.54K
Legs: 1.36
Overview: A civilized dinner party in a country house sees four friends, Lucas, Adam, Chloe, and Eve, coming together for a birthday celebration. As the night progresses secrets and lies force themselves into the light and polite pretensions are dropped. A knock at the door reveals three masked intruders with an agenda of their own. Will their friendship stand the test? Can they survive the night or will their secrets eventually catch up with them?
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Apr 1, 2022 | $2,470 | + 0.00% | 41 |
| Sat, Apr 2, 2022 | $3,531 | + 42.96% | 41 |
| Sun, Apr 3, 2022 | $1,537 | -56.47% | 41 |
| Mon, Apr 4, 2022 | $471 | -69.36% | 41 |
| Tue, Apr 5, 2022 | $816 | + 73.25% | 41 |
| Wed, Apr 6, 2022 | $869 | + 6.50% | 41 |
| Thu, Apr 7, 2022 | $551 | -36.59% | 41 |
| Name | Character |
|---|---|
| Tom Cullen | Lucas |
| Inès Spiridonov | Chloe |
| Iwan Rheon | Adam |
| Catalina Sandino Moreno | Eva |
| Connor Swindells | Dan |
| Tommy McDonnell | Neil |
| Will Kemp | John |
| Kevin Ryan | Alan Wickes |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Regression | Oct 1, 2015 | $20M |
| Super Dark Times | Sep 29, 2017 | $0 |
| The Wretched | Dec 15, 2019 | $66K |
| Swallow | Jan 15, 2020 | $0 |
| Becky | Jul 23, 2020 | $0 |
| Mandy | Sep 13, 2018 | $6M |
| Safer at Home | Feb 26, 2021 | $0 |
| The Dead Center | Oct 11, 2019 | $0 |
Week 1: $10.24K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $10.24K
Net: $6.15K
Costs: $0.00
Profit: $6.15K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.