Movie Information
Domestic Total: 695.65K
Opening Weekend: 360K
Legs: 1.93
Overview: Composer Steven Lauddem is plagued by a creative block which leaves him unable to finish the score for his big comeback opera. When his former therapist-turned-wife Patricia suggests he rekindle his creativity by getting lost in the city, Steven sets out in search of inspiration. His epiphany comes after he meets a spirited woman named Katrina and discovers his life has much more potential than he bargained for, or ever could have imagined.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 6, 2023 | $136,000 | + 0.00% | 355 |
| Sat, Oct 7, 2023 | $130,000 | -4.41% | 355 |
| Sun, Oct 8, 2023 | $94,000 | -27.69% | 355 |
| Mon, Oct 9, 2023 | $48,591 | -48.31% | 355 |
| Tue, Oct 10, 2023 | $59,868 | + 23.21% | 355 |
| Wed, Oct 11, 2023 | $41,640 | -30.45% | 355 |
| Thu, Oct 12, 2023 | $37,959 | -8.84% | 355 |
| Fri, Oct 13, 2023 | $37,637 | -0.85% | 355 |
| Sat, Oct 14, 2023 | $52,662 | + 39.92% | 355 |
| Sun, Oct 15, 2023 | $33,728 | -35.95% | 355 |
| Mon, Oct 16, 2023 | $23,561 | -30.14% | 355 |
Cast
| Name | Character |
|---|---|
| Peter Dinklage | Steven Lauddem |
| Anne Hathaway | Patricia Jessup-Lauddem |
| Marisa Tomei | Katrina Trento |
| Evan Ellison | Julian Jessup |
| Harlow Jane | Tereza Szyskowski |
| Joanna Kulig | Magdalena Szyskowski |
| Brian d'Arcy James | Trey Ruffa |
| Judy Gold | Susan Shaw |
| Anthony Roth Costanzo | Countertenor at Fundraiser |
| Samuel H. Levine | Raef Gundel |
| Sue Jean Kim | Sister Henrietta |
| Gregg Edelman | Duftin Haverford |
| Aalok Mehta | Anton Gatner |
| Chris Gethard | Carl |
| Dale Soules | Aunt Moxie |
| Tommy Buck | Bartender |
| George Sheanshang | Harry Schuster |
| Francesca Faridany | Maxine Haverford |
| Bryan Terrell Clark | Frank Hall |
| Tamya Taylor | Tanya |
| Jen Ponton | Elodie |
| Greer Grimsley | Generalissimo |
| Jack Blackmon | N/A |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Shithouse | Oct 16, 2020 | $80K |
| Swiss Army Man | Jun 24, 2016 | $3M |
| Duck Butter | Apr 27, 2018 | $0 |
| The Lobster | Oct 15, 2015 | $4M |
| Paterson | Nov 17, 2016 | $5M |
| Olympic Dreams | Mar 10, 2019 | $0 |
| Juliet, Naked | Aug 16, 2018 | $0 |
| The Lovers | May 5, 2017 | $0 |
Profitability Breakdown
Domestic
Week 1: $548.06K
Week 2: $147.59K
Investor Share: $81.17K
Week 3+: $0.00
Investor Share: $0.00
International
$126.52K (15.39%)
Investor Share: $44.28K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $822.16K
Net: $454.29K
Costs: $0.00
Profit
Profit: $454.29K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
