Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 1.00
Overview: The story of Leon Vitali, who surrendered his promising acting career to become Stanley Kubrick's devoted right-hand man.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, May 10, 2018 | $8,873 | + 0.00% | 1 |
| Name | Character |
|---|---|
| Leon Vitali | Self |
| Stanley Kubrick | Self (archive footage) |
| Ryan O'Neal | Self |
| Danny Lloyd | Self |
| Matthew Modine | Self |
| R. Lee Ermey | Self |
| Stellan Skarsgård | Self |
| Marie Richardson | Self |
| Tim Colceri | Self |
| Julian Senior | Self |
| Pernilla August | Self |
| Lisa Leone | Self |
| Vera Vitali | Self |
| Max Vitali | Self |
| Masha Vitali | Self |
| Chris Vitali | Self |
| Tim Vitali | Self |
| Maria Hayward | Self |
| Treva Etienne | Self |
| Brian Capron | Self |
| Beverly Wood | Self |
| Jacob Rosenberg | Self |
| Phil Rosenthal | Self |
| Colin Mossman | Self |
| Steve Southgate | Self |
| Warren Lieberfarb | Self |
| Mike Alfreds | Self |
| Nick Redman | Self |
| Brain Jamieson | Self |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Crime + Punishment | Jan 19, 2018 | $0 |
| Risk | May 5, 2017 | $0 |
| The Beatles: Eight Days a Week - The Touring Years | Sep 15, 2016 | $5 |
| Trophy | Jan 20, 2017 | $0 |
| SEED: The Untold Story | Sep 23, 2016 | $650K |
| Served Like a Girl | Nov 8, 2017 | $0 |
| No Greater Love | Nov 10, 2017 | $0 |
| The Devil and Father Amorth | Apr 20, 2018 | $0 |
Week 1: $8.87K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$10.23K (53.54%)
Investor Share: $3.58K
Budget: $N/A
P&A: $N/A
Gross: $10.23K
Net: $8.9K
Costs: $0.00
Profit: $8.9K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.