
Domestic Total: 2.62M
Opening Weekend: 1.32M
Legs: 1.00
Overview: Stylish film of the British progressive rock band Pink Floyd in 1971 performing a concert with no audience, in the ancient Roman Amphitheater in the ruins of Pompeii, Italy. There are four editions of the film: the original 1972 version with the concert only (60 min.), a longer 1974 theatrical version (85 min.) featuring the concert interspersed with interviews and footage of Pink Floyd in the studio working on their next album, Dark Side of the Moon, the 2003 Director's Cut which added CGI effects to the 1974 version, then finally the 2016 Blu-ray version which re-arranged the song order of the 2003 version. In 2025 a re-release of the film was shown in theatres including extra behind-the-scenes footage of the band working on The Dark Side Of The Moon at Abbey Road Studios. Bringing the runtime to 85 min. British guitarist and producer Steven Wilson has taken care of a new remix of the original audio recordings, and the film footage has been re-scanned in 4K from the 35mm negative.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Apr 24, 2025 | $1,297,249 | + 0.00% | 654 |
| Sat, Apr 26, 2025 | $22,827 | -98.24% | 654 |
| Sun, Apr 27, 2025 | $1,300,000 | + 5595.01% | 654 |
| Name | Character |
|---|---|
| Roger Waters | Self - Bass, Vocals |
| David Gilmour | Self - Guitar, Vocals |
| Richard Wright | Self - Keyboard, Backing Vocals |
| Nick Mason | Self - Drums |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|
Week 1: $2.62M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $2.62M
Net: $1.57M
Costs: $0.00
Profit: $1.57M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.