Movie Information
Domestic Total: 6.33K
Opening Weekend: 4.52K
Legs: 1.40
Overview: A modern loft reveals its past when new tenants arrive as this former slaughterhouse exposes the evilness still existing within the walls.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Nov 4, 2016 | $1,753 | + 0.00% | 10 |
| Sat, Nov 5, 2016 | $1,677 | -4.34% | 10 |
| Sun, Nov 6, 2016 | $1,088 | -35.12% | 10 |
| Mon, Nov 7, 2016 | $521 | -52.11% | 10 |
| Tue, Nov 8, 2016 | $438 | -15.93% | 10 |
| Wed, Nov 9, 2016 | $529 | + 20.78% | 10 |
| Thu, Nov 10, 2016 | $326 | -38.37% | 10 |
Cast
| Name | Character |
|---|---|
| Nadine Velazquez | Charlotte Reaves |
| Callum Blue | Alex Reaves |
| Erik LaRay Harvey | Devin Pyles |
| Makenzie Moss | Mia Reaves |
| Danielle Lauder | Emily Turner |
| Joe Keery | Scott |
| Andy Favreau | Jackson Davies |
| Richard Fike | Police Officer #2 |
| Alden Tab Siegel | Rupert |
| Dan Anders | Police Officer #1 |
| Joe Fishel | Mover |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Mistress America | Aug 14, 2015 | $0 |
| Grandma | Jun 4, 2015 | $600K |
| And the Whole Sky Fit in the Dead Cow's Eye | Oct 1, 2016 | $0 |
| Touched with Fire | Feb 12, 2016 | $0 |
| The Other Side of the Door | Feb 25, 2016 | $5M |
| Cop Car | Jul 8, 2015 | $800K |
| Green Room | Apr 15, 2016 | $5M |
| Regression | Oct 1, 2015 | $20M |
Profitability Breakdown
Domestic
Week 1: $6.33K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $6.33K
Net: $3.8K
Costs: $0.00
Profit
Profit: $3.8K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.