Movie Information
Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 1.00
Overview: In Le Livre d’Image, Jean-Luc Godard recycles existing images (films, documentaries, paintings, television archives, etc.), quotes excerpts from books, uses fragments of music. The driving force is poetic rhyme, the association or opposition of ideas, the aesthetic spark through editing, the keystone. The author performs the work of a sculptor. The hand, for this, is essential. He praises it at the start. “There are the five fingers. The five senses. The five parts of the world (…). The true condition of man is to think with his hands. Jean-Luc Godard composes a dazzling syncopation of sequences, the surge of which evokes the violence of the flows of our contemporary screens, taken to a level of incandescence rarely achieved. Crowned at Cannes, the last Godard is a shock film, with twilight beauty.
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RT Tomato
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Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Thu, Jan 24, 2019 | $16,857 | + 0.00% | 3 |
Cast
| Name | Character |
|---|---|
| Jean-Luc Godard | Narrator (voice) |
| Anne-Marie Miéville | Narrator (voice) |
| Jean-Pierre Gos | Narrator (voice) |
| Buster Keaton | (archive footage) |
| Jean Gabin | (archive footage) |
| Douglas Fairbanks | (archive footage) |
| Jean Marais | (archive footage) |
| Jean Cocteau | (archive footage) |
| Wallace Beery | (archive footage) |
| Jules Berry | (archive footage) |
| Eddie Constantine | (archive footage) |
| Roberto Cobo | (archive footage) |
| Danielle Darrieux | (archive footage) |
| Josette Day | (archive footage) |
| Jacques Perconte | (archive footage) |
| Gaby Bruyère | (archive footage) |
| Jean Galland | (archive footage) |
| Dimitri Basil | (archive footage) |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Sultan | Jul 6, 2016 | $10M |
| Other People | Sep 9, 2016 | $0 |
| Outside In | Mar 30, 2018 | $0 |
| A Bigger Splash | Nov 26, 2015 | $0 |
| Climax | Sep 19, 2018 | $3M |
| Mia and the White Lion | Aug 2, 2018 | $10M |
| Louder Than Bombs | Oct 1, 2015 | $11M |
| Three Peaks | Aug 22, 2017 | $0 |
Profitability Breakdown
Domestic
Week 1: $16.86K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$40.77K (70.75%)
Investor Share: $14.27K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $40.77K
Net: $24.39K
Costs: $0.00
Profit
Profit: $24.39K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
