Movie Information
Domestic Total: 7K
Opening Weekend: 7K
Legs: 1.00
Overview: The explosive trajectory and tragic demise of iconic music retailer Tower Records, and the legacy of its rebellious founder Russ Solomon. Two hundred stores in thirty countries on five continents. In 1999 it made $1 billion. In 2006 it filed for bankruptcy. What went wrong?
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 16, 2015 | $7,000 | + 0.00% | 2 |
Cast
| Name | Character |
|---|---|
| Dave Grohl | Self |
| Elton John | Self |
| Bruce Springsteen | Self |
| Chris Cornell | Self |
| Questlove | Self |
| Heidi Cotler | Self |
| Chuck D | Self |
| Rudy Danzinger | Self |
| Bob Delanoy | Self |
| Mike Farrace | Self |
| David Geffen | Self |
| Stan Goman | Self |
| Chris Hopson | Self |
| Steve Knopper | Self |
| Steve Nikkel | Self |
| Ken Sockolov | Self |
| Russ Solomon | Self |
| Jim Urie | Self |
| Mark Viducich | Self |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
| He Named Me Malala | Sep 12, 2015 | $0 |
| Batkid Begins | Jun 26, 2015 | $0 |
| Legend | Sep 9, 2015 | $25M |
| Pawn Sacrifice | Sep 16, 2015 | $19M |
| Katti Batti | Sep 18, 2015 | $0 |
| The Clan | Aug 13, 2015 | $4M |
| Mistress America | Aug 14, 2015 | $0 |
Profitability Breakdown
Domestic
Week 1: $7K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $7K
Net: $4.2K
Costs: $0.00
Profit
Profit: $4.2K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
Production Companies
