
Domestic Total: 1.23M
Opening Weekend: 702.74K
Legs: 1.00
Overview: A young girl, Chihiro, becomes trapped in a strange new world of spirits. When her parents undergo a mysterious transformation, she must call upon the courage she never knew she had to free her family. The film version of the stage production was shot during the play’s 2022 run at the Imperial Theatre in Tokyo.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Sun, Apr 23, 2023 | $702,744 | + 0.00% | 1046 |
| Mon, Apr 24, 2023 | $132,278 | -81.18% | 656 |
| Tue, Apr 25, 2023 | $391,559 | + 196.01% | 656 |
| Name | Character |
|---|---|
| Kanna Hashimoto | Chihiro |
| Mone Kamishiraishi | Chihiro |
| Kotaro Daigo | Haku |
| Hiroki Miura | Haku |
| Miyu Sakihi | Lin / Chihiro's Mother |
| Fu Hinami | Lin / Chihiro's Mother |
| Tomorowo Taguchi | Kamaji |
| Satoshi Hashimoto | Kamaji |
| Mari Natsuki | Yubaba / Zeniba |
| Romi Park | Yubaba / Zeniba |
| Kenya Osumi | Aniyaku / Chihiro's Father |
| Sunao Yoshimura | Chichiyaku |
| Obata no Oniisan | Aogaeru |
| Koharu Sugawara | Kaonashi |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Kid Who Would Be King | Jan 16, 2019 | $59M |
| The Nutcracker and the Four Realms | Oct 26, 2018 | $120M |
| The House That Jack Built | Jul 5, 2018 | $10M |
| Pan | Sep 24, 2015 | $150M |
| Okko's Inn | Sep 12, 2018 | $0 |
| Mirai | Jun 16, 2018 | $0 |
| The Deer King | Oct 28, 2021 | $0 |
| Lupin III: The First | Dec 6, 2019 | $0 |
Week 1: $1.23M
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $1.23M
Net: $735.95K
Costs: $0.00
Profit: $735.95K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.