Domestic Total: 3.78K
Opening Weekend: 2.49K
Legs: 1.52
Overview: A terminally ill teen upsets her parents when she falls in love with a small-time drug dealer.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jun 19, 2020 | $881 | + 0.00% | 12 |
| Sat, Jun 20, 2020 | $1,115 | + 26.56% | 12 |
| Sun, Jun 21, 2020 | $491 | -55.96% | 12 |
| Mon, Jun 22, 2020 | $110 | -77.60% | 12 |
| Tue, Jun 23, 2020 | $406 | + 269.09% | 12 |
| Wed, Jun 24, 2020 | $501 | + 23.40% | 12 |
| Thu, Jun 25, 2020 | $279 | -44.31% | 12 |
| Name | Character |
|---|---|
| Eliza Scanlen | Milla |
| Toby Wallace | Moses |
| Essie Davis | Anna |
| Ben Mendelsohn | Henry |
| Eugene Gilfedder | Gidon |
| Emily Barclay | Toby |
| Andrea Demetriades | Jenny |
| Charles Grounds | Dean |
| Priscilla Doueihy | Kathy |
| Jack Yabsley | Government Spokesperson |
| Zack Grech | Isaac |
| Quentin Yung | Pharmacist |
| Renee Billing | Lisa |
| Georgina Symes | Polly |
| Jaga Yap | Dom |
| Michelle Lotters | Scarlett |
| Tyrone Mafohla | Boy on Platform |
| Edward Lau | Tin Wah |
| Sora Wakaki | Maria |
| Justin Smith | Drunk Crooner |
| Arka Das | Shaun |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Sultan | Jul 6, 2016 | $10M |
| Ok Jaanu | Jan 12, 2017 | $0 |
| A Aa | Jun 2, 2016 | $88M |
| Swiss Army Man | Jun 24, 2016 | $3M |
| Chhichhore | Sep 5, 2019 | $7M |
| Other People | Sep 9, 2016 | $0 |
| Hello, My Name Is Doris | Nov 27, 2015 | $1M |
| T2 Trainspotting | Jan 27, 2017 | $18M |
Week 1: $3.78K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$1.15M (99.67%)
Investor Share: $403.15K
Budget: $N/A
P&A: $N/A
Gross: $1.16M
Net: $405.42K
Costs: $0.00
Profit: $405.42K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.