Domestic Total: 50.24K
Opening Weekend: 50.24K
Legs: 1.00
Overview: In a race against time, an ailing woman discovers her teenage son's violent obsessions and must go to great lengths to protect him, and possibly others, in this portrait of a Chinese American family. Inspired by true events.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Dec 5, 2025 | $24,224 | + 0.00% | 1 |
| Sat, Dec 6, 2025 | $15,260 | -37.00% | 1 |
| Sun, Dec 7, 2025 | $10,759 | -29.50% | 1 |
| Name | Character |
|---|---|
| Lucy Liu | Irene |
| Lawrence Shou | Joe |
| Orion Lee | Charles |
| Jennifer Lim | Kai-Li |
| Madison Hu | Jeannie |
| James Chen | Dr. Hsu |
| Eleven Lee | Helen |
| Anzi DeBenedetto | Stan |
| Susan Pourfar | Dr. Charlot |
| Jason Tottenham | Mr. Hernandez |
| Dave Shalansky | Principal Stephens |
| Dana de Celis | Maria |
| Anthony Comis | Officer Frumin |
| Eric Leviton | Store Manager |
| Grace Shen | Jane |
| Cat Kaylin | Mrs. Wang |
| Zack Calderon | Cesar |
| Atticus Elsass | Rob |
| Shian Tomlinson | Dawn |
| Adam Chanler-Berat | Sam |
| Joseph Y. Lee | Young Joe |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Vita & Virginia | May 2, 2019 | $0 |
| iMordecai | Feb 10, 2023 | $0 |
| Raising the Bar: The Alma Richards Story | Apr 30, 2025 | $0 |
| Frank and Ava | Dec 7, 2020 | $0 |
| Summer of '67 | Jun 29, 2018 | $0 |
| Until Forever | Oct 20, 2016 | $0 |
| Dìdi (弟弟) | Jul 26, 2024 | $0 |
| The Farewell | Jul 12, 2019 | $250K |
Week 1: $50.24K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $50.24K
Net: $30.15K
Costs: $0.00
Profit: $30.15K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.