Domestic Total: 4.55K
Opening Weekend: 2.69K
Legs: 1.64
Overview: A recently widowed, now single father struggles to raise his sixth-grade son with autism. The pressure of his job and coping with the loss of his wife proves to push him nearly to the breaking point.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Sep 1, 2017 | $750 | + 0.00% | 10 |
| Sat, Sep 2, 2017 | $1,037 | + 38.27% | 10 |
| Sun, Sep 3, 2017 | $906 | -12.63% | 10 |
| Mon, Sep 4, 2017 | $838 | -7.51% | 10 |
| Tue, Sep 5, 2017 | $539 | -35.68% | 10 |
| Wed, Sep 6, 2017 | $220 | -59.18% | 10 |
| Thu, Sep 7, 2017 | $260 | + 18.18% | 10 |
| Name | Character |
|---|---|
| Christopher Gorham | David Wilson |
| Julian Feder | Po |
| Kaitlin Doubleday | Amy |
| Andrew Bowen | Jack |
| Sean Gunn | Ben |
| Caitlin Carmichael | Amelia Carr |
| Bryan Batt | Randall Bane |
| Fay Masterson | Valerie |
| Brian George | N/A |
| Jayden Anderson | Autistic Girl |
| Tristan Chase | Taylor Martz |
| Kassi Crews | Nurse |
| Tammy Dahlstrom | Patricia Gilliam |
| Mason Hafer | Bully Kid |
| Kaia Jones | Student |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| The Challenger | Sep 11, 2015 | $0 |
| Mistress America | Aug 14, 2015 | $0 |
| Faith of Our Fathers | Jul 1, 2015 | $0 |
| Touched with Fire | Feb 12, 2016 | $0 |
| Miss You Already | Sep 12, 2015 | $0 |
| Radio Dreams | Feb 1, 2016 | $0 |
| Grandma | Jun 4, 2015 | $600K |
| Once I Was a Beehive | Aug 14, 2015 | $0 |
Week 1: $4.55K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (0.00%)
Investor Share: $N/A
Budget: $N/A
P&A: $N/A
Gross: $4.55K
Net: $2.73K
Costs: $0.00
Profit: $2.73K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.