Movie Information
Domestic Total: 3.21K
Opening Weekend: 3.21K
Legs: 1.00
Overview: Hao is part of a team of young engineers called in to investigate a series of craters that have opened up on the edge of the city. Meanwhile, a younger boy, also named Hao, spends long afternoons playing with friends and making mischief until one-by-one, his playmates start to disappear. As these parallel stories unfold, the connections between them proliferate and grow stranger.
TMDB
IMDB
Metacritic
RT Tomato
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Apr 5, 2019 | $1,409 | + 0.00% | 1 |
| Sat, Apr 6, 2019 | $1,240 | -11.99% | 1 |
| Sun, Apr 7, 2019 | $558 | -55.00% | 1 |
Cast
| Name | Character |
|---|---|
| Mason Lee | Xiahao |
| Huang Lu | Swallow |
| Gong Zihan | Xiahao |
| Jing Deng | Ant |
| Mulligan Liu | Liang Shuang |
| Shuo Xu | Fang Tin |
| Xuanyi Qian | Foxy |
| Xiao Xiao | Han |
| Xinyu Wang | Officer |
| Yihao Chen | Fatty |
| Zhihao Chen | Coal |
| Chenghui Xu | Old Timer |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Thelma | Sep 15, 2017 | $6M |
| Prem Ratan Dhan Payo | Nov 11, 2015 | $23M |
| Ae Dil Hai Mushkil | Oct 27, 2016 | $0 |
| Other People | Sep 9, 2016 | $0 |
| Fitoor | Feb 12, 2016 | $0 |
| ABCD 2 | Jun 19, 2015 | $0 |
| I Was at Home, But... | Mar 28, 2019 | $0 |
| Sultan | Jul 6, 2016 | $10M |
Profitability Breakdown
Domestic
Week 1: $3.21K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$100K (96.89%)
Investor Share: $35K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $103.21K
Net: $36.92K
Costs: $0.00
Profit
Profit: $36.92K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
