Movie Information
Domestic Total: 565.00
Opening Weekend: 0.00
Legs: 1.00
Overview: A Brooklyn party boy is excited to go to a huge party event, but the night takes a turn when he is attacked by a stranger. A year later, he gives his social life a second chance, but a man wearing a unicorn mask is killing his friends one by one.
TMDB
IMDB
Metacritic
RT Popcorn
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Jul 29, 2019 | $565 | + 0.00% | 1 |
Cast
| Name | Character |
|---|---|
| Dennis Budesheim | N/A |
| Alejandro de la Rosa | N/A |
| Markus Kelle | N/A |
| Monica Garcia Bradley | N/A |
| José D. Álvarez | N/A |
| Jroyce Jata | N/A |
| Christopher Vancleave | N/A |
| Grayson Squire | N/A |
| Lady Havok | N/A |
| Matty Glitterati Kinkel | N/A |
| Chris Jehnert | Lil Tim |
| Rify Royalty | N/A |
| Isis Vermouth | N/A |
| Matthew de Leon | N/A |
| Jason Daniels | N/A |
| Will Sheridan | N/A |
| Nathaniel Visneaskus | N/A |
| Ryan Skilton | N/A |
| Ruby Fox | N/A |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Murder in the Woods | Aug 14, 2017 | $0 |
| The Vatican Tapes | Jul 23, 2015 | $13M |
| Death House | Feb 28, 2018 | $0 |
| The Blackcoat's Daughter | Mar 31, 2017 | $0 |
| Mandy | Sep 13, 2018 | $6M |
| The Monster | Nov 11, 2016 | $3M |
| Green Room | Apr 15, 2016 | $5M |
| The Other Side of the Door | Feb 25, 2016 | $5M |
Profitability Breakdown
Domestic
Week 1: $565.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $565.00
Net: $339.00
Costs: $0.00
Profit
Profit: $339.00
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.