Movie Information
Domestic Total: 706.03K
Opening Weekend: 312.42K
Legs: 2.26
Overview: When free-spirited Ricky suddenly reappears in father-to-be Glenn’s life, the two former best friends embark on a spontaneous road trip from LA to Sacramento.
TMDB
IMDB
Metacritic
RT Tomato
RT Popcorn
Letterboxd
Daily Table
Cast
| Name | Character |
|---|---|
| Michael Cera | Glenn |
| Michael Angarano | Rickey |
| Maya Erskine | Tallie |
| Kristen Stewart | Rosie |
| April Jeanette Mendez | Arielle |
| Iman Karam | Jess |
| Rosalind Chao | Dr. Murray |
| Tara R Gokey | Grandmother |
| Roma Lucero | Bar Patron |
| Michael Justin Gonzales | Bar Goer |
| Michael Angarano Sr. | Sal |
| Bunny Levine | Mrs. Krenshaw |
| Amber Riat | Tatted Up Employee |
| Shea Gorely | Baby Ray |
| Daniel Edward Mora | Bob |
| Nora Sczudlo | Baby Geoff |
| Leon Angarano | Toddler Ray |
| Sebastian Alexander | Bartender |
| Marcus Escobar | Bar Patron |
| Mike Hartsfield | Support Group Mother |
| Stephanie Jackson | Meter Maid |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Bodied | Nov 2, 2018 | $0 |
| Shithouse | Oct 16, 2020 | $80K |
| Paterson | Nov 17, 2016 | $5M |
| Brad's Status | Sep 14, 2017 | $0 |
| The Last Shift | Sep 25, 2020 | $0 |
| The Art of Self-Defense | Jul 12, 2019 | $2M |
| Grandma | Jun 4, 2015 | $600K |
| The Black Sea | Nov 22, 2024 | $0 |
Profitability Breakdown
Domestic
Week 1: $478.36K
Week 2: $152.97K
Investor Share: $84.13K
Week 3+: $74.7K
Investor Share: $37.35K
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $706.03K
Net: $408.5K
Costs: $0.00
Profit
Profit: $408.5K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.