Domestic Total: 13.9K
Opening Weekend: 13.9K
Legs: 1.00
Overview: Testament of Youth is a powerful story of love, war and remembrance, based on the First World War memoir by Vera Brittain, which has become the classic testimony of that war from a woman’s point of view. A searing journey from youthful hopes and dreams to the edge of despair and back again, it’s a film about young love, the futility of war and how to make sense of the darkest times.
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Jun 5, 2015 | $13,900 | + 0.00% | 4 |
| Name | Character |
|---|---|
| Alicia Vikander | Vera Brittain |
| Kit Harington | Roland Leighton |
| Taron Egerton | Edward Brittain |
| Colin Morgan | Victor Richardson |
| Dominic West | Mr. Brittain |
| Emily Watson | Mrs. Brittain |
| Hayley Atwell | Hope Milroy |
| Anna Chancellor | Mrs. Leighton |
| Miranda Richardson | Miss Lorimer |
| Joanna Scanlan | Aunt Belle |
| Alexandra Roach | Winifred Holtby |
| Jenn Murray | Dorothy |
| Henry Garrett | George |
| Nicholas Le Prevost | Mr Leighton |
| Nicholas Farrell | Headmaster |
| Daisy Waterstone | Clare Leighton |
| Niamh Cusack | Sister Jones |
| Teresa Churcher | Passenger |
| Xavier Atkins | Boy on Bicycle |
| Heather Nicol | Celebrating Nurse |
| Laura Elsworthy | Nurse Scott |
| Naomi Everson | Nurse Milton |
| Jonathan Bailey | Geoffrey |
| Charlotte Hope | Betty |
| Josh Taylor | Wounded Solider |
| Paul Cavendish | Doctor (uncredited) |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|
Week 1: $13.9K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$4.82M (99.71%)
Investor Share: $1.69M
Budget: $N/A
P&A: $N/A
Gross: $4.84M
Net: $1.7M
Costs: $0.00
Profit: $1.7M
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.