Movie Information
Domestic Total: 2K
Opening Weekend: 0.00
Legs: 1.00
Overview: The story of the life, loves and work of US writer Patricia Highsmith (1921-95), told through her unpublished diaries, her own voice and that of those who knew her, both family and close friends.
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Mon, Sep 5, 2022 | $2,000 | + 0.00% | 1 |
Cast
| Name | Character |
|---|---|
| Gwendoline Christie | Patricia Highsmith (voice) |
| Annina Butterworth | Self - Narrator (voice) |
| Marijane Meaker | Self - Writer / Highsmith's Friend |
| Courtney Coates Blackman | Self - Highsmith's Relative |
| Judy Coates | Self - Highsmith's Relative |
| Dan Coates | Self - Highsmith's Relative |
| Monique Buffet | Self - Former Teacher / Highsmith's Friend |
| Tabea Blumenschein | Self - Actress / Highsmith's Friend |
| Kaey Kihl | Self |
| Malte Göbel | Self |
| Patricia Highsmith | Self - Writer (archive footage) |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Pope Francis: A Man of His Word | May 18, 2018 | $0 |
| The Young Karl Marx | Mar 2, 2017 | $0 |
| Risk | May 5, 2017 | $0 |
| Undine | Jul 1, 2020 | $0 |
| Three Peaks | Aug 22, 2017 | $0 |
| Meeting Gorbachev | May 3, 2019 | $0 |
| The Year of the Everlasting Storm | Sep 3, 2021 | $0 |
| Ingrid Bergman: In Her Own Words | Aug 27, 2015 | $0 |
Profitability Breakdown
Domestic
Week 1: $2K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$10.41K (83.89%)
Investor Share: $3.64K
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $12.41K
Net: $4.84K
Costs: $0.00
Profit
Profit: $4.84K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
