Domestic Total: 0.00
Opening Weekend: 0.00
Legs: 0.00
Overview: When James receives a mysterious letter from his lost love Mary, he is drawn to Silent Hill—a once-familiar town now consumed by darkness. As he searches for her, James faces monstrous creatures and unravels a terrifying truth that will push him to the edge of his sanity.
| Date | Revenue | % YD | Theaters |
|---|
| Name | Character |
|---|---|
| Jeremy Irvine | James Sunderland |
| Hannah Emily Anderson | Mary Crane / Angela / Maria / Moth Mary |
| Evie Templeton | Laura |
| Pearse Egan | Eddie Dombrowski |
| Eve Macklin | Kaitlyn |
| Robert Strange | Red Pyramid |
| Emily Carding | Dara |
| Martine Richards | Claudette |
| Howard Saddler | Cal |
| Matteo Pasquini | The Homeless Man |
| Melissa Graham | Attending Physician |
| Lara Duru | Meyers Twin 1 |
| Karya Duru | Meyers Twin 2 |
| Nicola Alexis | M |
| Slaviša Ivanović | Bouncer |
| Alana Maria | Mitzy |
| Giulia Pelagatti | Nurse |
| Tamara Ristoska | Nurse |
| Jasper Salon | Doctor |
| Sandy E. Scott | Doctor |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Unfriended: Dark Web | Jul 19, 2018 | $1M |
| The Night House | Jul 15, 2021 | $0 |
| Five Nights at Freddy's | Oct 25, 2023 | $20M |
| Until Dawn | Apr 23, 2025 | $15M |
| It Comes at Night | Jun 9, 2017 | $5M |
| Presence | Jan 17, 2025 | $2M |
| Antlers | Oct 28, 2021 | $17M |
| Resident Evil: The Final Chapter | Dec 23, 2016 | $40M |
Week 1: $0.00
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
$N/A (NaN%)
Investor Share: $N/A
Budget: $40M
P&A: $40M
Gross: $0.00
Net: $0.00
Costs: $80M
Profit: $-80M (Loss)
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.