Domestic Total: 93.04K
Opening Weekend: 12.57K
Legs: 4.56
Overview: The love affair between poet Percy Shelley and Mary Wollstonecraft Godwin resulted in the creation of an immortal novel, “Frankenstein; or, The Modern Prometheus.”
| Name | Character |
|---|---|
| Elle Fanning | Mary Shelley |
| Douglas Booth | Percy Bysshe Shelley |
| Bel Powley | Claire Clairmont |
| Stephen Dillane | William Godwin |
| Joanne Froggatt | Mary Jane Clairmont |
| Tom Sturridge | Lord Byron |
| Ben Hardy | Dr. John Polidori |
| Maisie Williams | Isabel Baxter |
| Hugh O'Conor | Samuel Taylor Coleridge |
| Ciara Charteris | Harriet Shelley |
| Jack Hickey | Thomas Hogg |
| Laurence Foster | Bookseller |
| Derek Riddell | William Baxter |
| Stuart Graham | Publisher |
| Owen Richards | William Godwin |
| Martin Phillips | Deacon |
| Chloe Vos | Ianthe |
| Serena Barnes | Landlady |
| Mella Carron | Girl in Park |
| Sarah Lamesch | Eliza |
| Alexander Cobb | Scientist |
| Wilhelmina von Blumenthal | Servant of Byron |
| Nathan Vos | Young Percy |
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|---|---|
| Pawn Sacrifice | Sep 16, 2015 | $19M |
| Freeheld | Oct 2, 2015 | $7M |
| Until Forever | Oct 20, 2016 | $0 |
| I'm Not Ashamed | Oct 21, 2016 | $2M |
| Sing Street | Mar 11, 2016 | $4M |
| Brooklyn | Oct 20, 2015 | $11M |
| A United Kingdom | Nov 25, 2016 | $14M |
| Loving | Nov 4, 2016 | $9M |
Week 1: $22.05K
Week 2: $21.38K
Investor Share: $11.76K
Week 3+: $49.62K
Investor Share: $24.81K
$2.68M (96.65%)
Investor Share: $939.2K
Budget: $N/A
P&A: $N/A
Gross: $2.78M
Net: $988.99K
Costs: $0.00
Profit: $988.99K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.