Movie Information
Domestic Total: 8.89K
Opening Weekend: 6.79K
Legs: 1.31
Overview: Set in 1974, an authentic and uplifting tale of two friends whose horizons are opened up by the discovery of black American soul music.
TMDB
IMDB
Metacritic
Letterboxd
Daily Table
| Date | Revenue | % YD | Theaters |
|---|---|---|---|
| Fri, Oct 2, 2015 | $4,592 | + 0.00% | 10 |
| Sat, Oct 3, 2015 | $1,352 | -70.56% | 10 |
| Sun, Oct 4, 2015 | $842 | -37.72% | 10 |
| Mon, Oct 5, 2015 | $343 | -59.26% | 10 |
| Tue, Oct 6, 2015 | $576 | + 67.93% | 10 |
| Wed, Oct 7, 2015 | $547 | -5.03% | 10 |
| Thu, Oct 8, 2015 | $634 | + 15.90% | 10 |
Cast
| Name | Character |
|---|---|
| Elliot James Langridge | John Clark |
| Josh Whitehouse | Matt |
| Antonia Thomas | Angela |
| Steve Coogan | Mr. Banks |
| James Lance | Ray Henderson |
| Ashley Taylor Dawson | Paul |
| Christian McKay | John's Dad |
| Lisa Stansfield | John's Mum |
| Ricky Tomlinson | John's Grandad |
| Jack Gordon | Sean |
| Alex Esmail | Stee |
| John Thomson | Terry |
| Emily Aston | Marie |
| Dylan Brown | Daz |
| Claire Garvey | Betty |
| Tina Harris | Nurse Louisa Smith |
| Kate Coogan | Linda |
| Mark Sheals | Leeds Bouncer |
| Daniel Ormerod | Lee |
| Martin Coogan | Fred |
| Daniel Coll | Yarwood |
| Daniel Ormerod | Danny Ormerod |
| Tommy Garside | Ben |
Comps
Comps are similar or comparison movies that are used for analysis and marketing purposes. The way they are found is described in more detail in the paper. Comps always have release dates before the movie they are compared to.
| Title | Release Date | Budget |
|---|
Profitability Breakdown
Domestic
Week 1: $8.89K
Week 2: $0.00
Investor Share: $0.00
Week 3+: $0.00
Investor Share: $0.00
International
$N/A (0.00%)
Investor Share: $N/A
Costs
Budget: $N/A
P&A: $N/A
Breakdown
Gross: $8.89K
Net: $5.33K
Costs: $0.00
Profit
Profit: $5.33K
The profitability breakdown is based on Dan Murrell's YouTube videos (Dan Murrell is not affiliated with Reel Numbers). The breakdown only includes the theatrical release and does not account for any post-theatrical revenue streams such as streaming, home video, or merchandise sales. Additionally, the breakdown does not include any tax incentives, sponsorships, or product placement that may have occurred during production.
